If Columbia could make an acceptable movie star out of opera-diva Grace Moore, then RKO Radio could do the same with Lily Pons. At least that was producer Pandro S. Berman’s reasoning when he cast Pons in the 1935 musical romance I Dream too Much. The actress plays Annette, a rural French musical student who marries struggling American composer Jonathan (Henry Fonda). Possessed of a splendid singing voice, our heroine rises to fame on the opera stage, while poor Jonathan continues struggling, supporting himself as a tour guide. Annette eventually saves her marriage by transforming her husband’s “masterpiece,” a rather turgid modernistic opera, into a light-hearted musical comedy. Lucille Ball, who’d later co-star with Henry Fonda in The Big Street and Yours, Mine and Ours, has a funny minor role as a gum-snapping tourist. Though Lily Pons was at least 10 years older than Fonda, they make an attractive and believable screen couple, adding credibility to this somewhat contrived yarn

Breaking up is easy. Moving out is hard. Especially when there’s a New York City apartment involved. After five years of ups and downs, an African American 30-something couple in a gentrifying Brooklyn neighborhood spends their final afternoon together arguing and remember better days, as one of them moves out and hopefully on with her life.

Albert Einstein helps a young man who’s in love with Einstein’s niece to catch her attention by pretending temporarily to be a great physicist.

Ginko’s younger brother Tetsuro, a failed comedian, is the oddball of the family. Embarrassing, loud and plain inappropriate at times causes Ginko to disown him. The two reunite when she discovers Tetsuro is terminally ill. Tetsuro’s impending death marks the beginning of love and toleration.

Ventriloquist Jerry Morgan has failed with another love affair. The reason: when the relationship reaches the point when it is time to discuss marriage, his doll Clarence becomes mean and jealous. His fiancée Audrey leaves him and Jerry smashes his two dolls, Clarence and Terrence. Morgan’s dollmaker Papinek is member of a spy ring who has stolen the secret plans to the top secret Lafayette airplane. Since Morgan is leaving for Zurich the same night, he decides to use Morgan’s dolls as a mailbox and hides the secret plan in the heads of the dolls. Another secret spy ring also wants to get their hands on Jerry’s luggage and they *also* follow him. Eventually, Jerry is chased by both these organizations as well as the police, who suspects him of murder.

After being sent to the electric chair, a serial killer uses electricity to come back from the dead and carry out his vengeance on the football player who turned him in to the police.

Madea returns in another hilarious story in which she gets sent to the big house. But regardless of the circumstances, she gives her trademark advice and wisdom to her friends and family as they learn the importance of letting go, moving on, and forgiveness.

The factory in Hirschen becomes bankrupt but the inhabitants don’t want to leave their village and choose very strange ways to save their existence.

Set in 1920’s New York City, this movie tells the story of idealistic young playwright David Shayne. Producer Julian Marx finally finds funding for the project from gangster Nick Valenti. The catch is that Nick’s girl friend Olive Neal gets the part of a psychiatrist, and Olive is a bimbo who could never pass for a psychiatrist as well as being a dreadful actress. Agreeing to this first compromise is the first step to Broadway’s complete seduction of David, who neglects longtime girl friend Ellen. Meanwhile David puts up with Warner Purcell, the leading man who is a compulsive eater, Helen Sinclair, the grand dame who wants her part jazzed up, and Cheech, Olive’s interfering hitman / bodyguard. Eventually, the playwright must decide whether art or life is more important.

A retail billionaire’s 60th birthday party is celebrated in an exclusive hotel on the Greek island of Mykonos.

Two voyeuristic nerds are hacking the devices of people as they themselves are hacked by the feed from story tellers Mister Malevolent (Danny Trejo) and Mystic Woman (Nichelle Nichols) who have seven moralistic horror stories to tell.

In a high stakes world where a single broken feather can mean a shattered dream, CHICKEN PEOPLE follows the trials and tribulations of those who breed exotic birds in the world of competitive poultry. In the tradition of SPELLBOUND-with a little of GATES OF HEAVEN thrown in for good measure-comes a feature documentary about three remarkably rich and diverse personalities who come together to compete in their shared passion to raise the perfect chicken. The film will follow the struggles and triumphs of these characters, along with a wide array of competitors-both human and chicken-from the Ohio National Poultry Show, considered the Westminster of Chickens, to the Dixie Classic in Tennessee.