A darkness swirls at the center of a world-renowned dance company, one that will engulf the troupe’s artistic director, an ambitious young dancer and a grieving psychotherapist. Some will succumb to the nightmare — others will finally wake up.
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In an attempt to flee Nazi-occupied France, Georg assumes the identity of a dead author but soon finds himself stuck in Marseilles, where he falls in love with Maria, a young woman searching for her missing husband.
Zach is devastated by the unexpected death of his girlfriend, Beth. When she mysteriously returns, he gets a second chance at love. Soon his whole world turns upside down…
The hectic adventures of D’Artagnan, a young provincial noble who just comes to Paris to enter the musketeers. He will meet action, love, hate, the king and the queen as his impetuousness gets him involved in political plots… and of course virile and indestructible friendship with the three musketeers Athos, Porthos and Aramis. Written by Yepok
Bedrooms tells a story about the walls that separate people, the heartbreak and infidelity that’s often the result and the redemption that comes from tearing those walls down. The film is told in 4 stories by 3 filmmakers. Three of the stories deal with married couples of various ages confronting the turning points of their relationships. A fourth story is interwoven throughout, providing bookends and context in the form of a story about ten year old twins, who, tired of sharing their bedroom set out to build a wall between their beds to create their own spaces. In building the wall to separate, they come to fully appreciate all things that connect them. Bedrooms explores human relationships, their myriad complications and the daily choice we face to either make them work or to move on.
When architect Stephen Booker loses his partnership, he finds jobs hard to come by, and with money in short supply, he unwittingly becomes involved in a daring scheme to rob one of London’s biggest bank vaults.
The mysterious murder of a US senator bearing the distinctive trademark of the legendary Soviet assassin ‘Cassius’, forces retired CIA operative, Paul Shepherson to team with rookie FBI agent, Ben Geary to solve the crime. Having spent his career chasing Cassius, Shepherdson is convinced his nemesis is long dead, but is pushed to take on the case by his former supervisor, Tom Highland. Geary, who wrote his Master’s thesis on Shepherdson’s pursuit of the Soviet killer, is certain that Cassius has resurfaced.
A scheduling mix-up at an Airbnb brings four twenty-somethings together, each navigating the open waters of where, how, and with whom they’re supposed to be.
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
A group of twenty-somethings are enjoying their stay at a lakeside cabin when a series of frightening and bizarre events derail their weekend.
