The kingdom is in a festive mood as everyone gathers for the royal wedding of Rapunzel and Flynn. However, when Pascal and Maximus, as flower chameleon and ring bearer, respectively, lose the gold bands, a frenzied search and recovery mission gets underway. As the desperate duo tries to find the rings before anyone discovers that they’re missing, they leave behind a trail of comical chaos that includes flying lanterns, a flock of doves, a wine barrel barricade and a very sticky finale. Will Maximus and Pascal save the day and make it to the church in time? And will they ever get Flynn’s nose right?
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“Red Ash” is envisioned as a fast-paced, entertaining film in which unique characters explore various stages. We call it a “treasure-hunting animation.” Progressive stages of the adventure will be created by STUDIO4℃ creators, artists whom we wish to collaborate with, and young up-and-coming talents. The idea is to incorporate different worldviews by bringing together creators of diverse talents to develop each new stage of the adventure. The ultimate vision is to produce a movie involving dozens of talented creators!
A dangerous virus is discovered in a corporate law building, the very same firm that recently cleared an infected man on murder charges. When a quarantine is issued and the building goes on lock-down, all hell breaks loose inside. A disgruntled employee and an irate client must fight and even kill their way to the top to “have a word” with the corrupt executives who wronged them before time runs out.
Two ‘resting’ actors living in a squalid Camden Flat – and living off a diet of booze and pills – take a trip to a country house (belonging to Withnail’s uncle) to ‘rejuvenate’. Faced with bad weather, altercations with the locals, and the unexpected arrival (and advances) of Uncle Monty, the pairs wits and friendship are tested… Set in 1969, the year in which the hippy dreams of so many young Englishmen went sour, 1986’s Bruce Robinson’s Withnail and I is an enduring British cult. Withnail is played by the emaciated but defiantly effete Richard E Grant, “I” (i.e., Marwood) by Paul McGann. Out-of-work actors living in desperate penury in a rancid London flat, their lives are a continual struggle to keep warm, alive and in Marwood’s case sane, until the pubs open. A sojourn in the country cottage of Withnail’s Uncle Monty only redoubles their privations.
The television movie is set in the city of Dimmsdale and centers on the series’ main protagonist Timmy Turner with his fairy godparents Cosmo and Wanda and his fairy godbrother Poof. In the movie, Timmy is now 23 years old but is still in fifth grade with his fairy-obsessed fifth grade teacher Mr. Crocker. Despite being grown up, Timmy finds a loophole in the fairy rulebook Da Rules: if he continues to act like a kid, he will still get to keep his fairies. However, the dilemma rises when Tootie, who was once a dorky girl when she was 10 years old, returns to Dimmsdale as an attractive woman. Timmy falls in love with her, a sign that he is growing up to an adult, which means he is closer to losing his fairies. Meanwhile, an oil business tycoon named Hugh J. Magnate, Jr., who teams up with Mr. Crocker, plans to use Timmy’s fairies’ magic in order to promote his oil business.
The second part of Aki Kaurismäki’s “Finland” trilogy, the film follows a man who arrives in Helsinki and gets beaten up so severely he develops amnesia. Unable to remember his name or anything from his past life, he cannot get a job or an apartment, so he starts living on the outskirts of the city and slowly starts putting his life back on track.
A successful lawyer finds out that she has a half-brother who is imprisoned in a secure hospital after he brutally murdered his neighbor and their baby.
A tough army major is deployed to Kurnool on a mission to keep the country safe from external threats.
After years on the road establishing his reputation as Japan’s greatest fencer, Takezo returns to Kyoto. Otsu waits for him, yet he has come not for her but to challenge the leader of the region’s finest school of fencing. To prove his valor and skill, he walks deliberately into ambushes set up by the school’s followers. While Otsu waits, Akemi also seeks him, expressing her desires directly. Meanwhile, Takezo is observed by Sasaki Kojiro, a brilliant young fighter, confident he can dethrone Takezo. After leaving Kyoto in triumph, Takezo declares his love for Otsu, but in a way that dishonors her and shames him. Once again, he leaves alone.