The film follows the story of Jamie, a struggling butch lesbian actress who gets cast as a man in a film. The main plot is a romantic comedy between Jamie’s male alter-ego, “Male Jamie,” and Jill, a heterosexual woman on set. The film’s subplots include Jamie’s bisexual roommate Lola and her cat actor Howard, Lola’s abrasive butch German girlfriend Andi, and Jamie’s gay Asian friend David.

Bertolt Brecht, a theatre revolutionary, poet of the state, outsider, looks back on his life in 1956, the year of his death, in East Berlin: from provocations in the Augsburg of the First World War, to the early poetic and amorous height flights in Munich and Berlin in the 1920s, his escape from Hitler and US exile, followed by his later years caught in a dilemma between timeless classic and a failing GDR class fighter, an inflexible free man and a compromised Artist.

During the War of 1812 against Britain: General Andrew Jackson has only 1,200 men left to defend New Orleans when he learns that a British fleet will arrive with 60 ships and 16,000 men to take the city. In this situation an island near the city becomes strategically important to both parties, but it’s inhabited by the last big buccaneer: Jean Lafitte. Although Lafitte never attacks American ships, the governor hates him for selling merchandise without taxes – and is loved by the citizens for the same reason. When the big fight gets nearer, Lafitte is drawn between the fronts. His heart belongs to America, but his people urge him to join the party that’s more likely to win.

James gives himself 12 months before he has ‘a license to kill himself’, he sets off to the amazon rainforest with hopes of finding a shaman who can save his life.

Examines Gabby’s life through the curated lens she created and immerses the viewer in the world of social media sleuthing that was crucial to the case.

Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.

Albert and David Maysles’ classic GREY GARDENS immortalized the estate of Edith and Little Edie Beale, relatives of Jacqueline Bouvier Kennedy, who lived in alarmingly poor conditions. But there is more to the story: it was Lee Radziwill and Peter Beard who first brought the Maysles to the Beales, when the two set out to make a film about Radziwill’s childhood. The reels of that first contact were shelved for 45 years. This documentary recovers the lost footage. Anchored in Beard’s recollections and artistic vision, we are returned to “that summer” in 1972, a seductive dream world and collage of radically unconventional creative personalities—Warhol, Bacon, Jagger, Capote—practicing the art of living amidst oppressive forces of class expectation and prejudice.

Trump Card is an expose of the socialism, corruption and gangsterization that now define the Democratic Party. Whether it is the creeping socialism of Joe Biden or the overt socialism of Bernie Sanders, the film reveals what is unique about modern socialism, who is behind it, why it’s evil, and how we can work together with President Trump to stop it.

In May of 2011, Neil Young drove a 1956 Crown Victoria from his idyllic hometown of Omemee, Ontario to downtown Toronto’s iconic Massey Hall where he intimately performed the last two nights of his solo world tour. Along the drive, Young recounted insightful and introspective stories from his youth to filmmaker Jonathan Demme. Through the tunes and the tales, Demme portrays a personal, retrospective look into the heart and soul of the artist.

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Ten years ago Hurricane Katrina devastated the coast of Louisiana. Five years later the Deepwater Horizon exploded and spilled more than 200 million gallons of oil into the Gulf of Mexico, the worst ecologic disaster in North American history. Amazingly those aren’t the worst things facing Louisiana’s coastline today. It is that the state is fast disappearing. When on Earth Day 2010 BP’s Deepwater Horizon exploded and sank many in Louisiana predicted it would change the state’s coastline forever, both its economy and its people. How has the coast changed in the past five years?

Penetrating the insular world of New York’s Hasidic community, focusing on three individuals driven to break away despite threats of retaliation.