Scott and Vincent are top recruits at the prestigious Cicero Market Technologies Corporation where they are tasked with the development and implementation of cutting edge technologies. The sole purpose of their work is to bring about medical, environmental and physics advancements. However, beaten by their own curiosity, the pair begin to sneak their work home with them. They push the boundaries of particle collision science to undiscovered levels stumbling upon a parallel universe complete with an alternate version of Scott. As their days and nights unfold they begin to discover that others seek their tech to advance their own agendas. Agendas that they intend to fulfill at any cost.

A pizza delivery girl discovers her neighbor is moving into a sorority house of vampires. It’s a race against the clock to stop her crush from being sacrificed at midnight.

In the year 2159, two classes of people exist: the very wealthy who live on a pristine man-made space station called Elysium, and the rest, who live on an overpopulated, ruined Earth. Secretary Rhodes (Jodie Foster), a hard line government official, will stop at nothing to enforce anti-immigration laws and preserve the luxurious lifestyle of the citizens of Elysium. That doesn’t stop the people of Earth from trying to get in, by any means they can. When unlucky Max (Matt Damon) is backed into a corner, he agrees to take on a daunting mission that, if successful, will not only save his life, but could bring equality to these polarized worlds.

After their failed attempt to take over the Federation war fleet, John Worthy and General Gustav are sentenced to death but they are rescued by Worthy s girlfriend, Jolli, who has control of a new Starship, The Deliverance. Meanwhile, The Overseer, Ruler of the Federation, wants to enslave the rebellious worlds with an ancient alien Nano-Virus that turns humans into mindless slaves. Starship Deliverance, Worthy and his team are all that stand in the way of total slavery of the entire human race.

Returning to their family’s cabin in the dark, Wisconsin woods to scatter the ashes of their father, a troubled young man and his brash sister are terrorized by signs that an ancient, Native-American spirit, awakened by a ritual murder, has marked them for death.

Belle, her little sister, and her comatose twin brother move into a new house with their single mother Joan in order to save money to help pay for her brother’s expensive healthcare. But when strange phenomena begin to occur in the house including the miraculous recovery of her brother, Belle begins to suspect her Mother isn’t telling her everything and soon realizes they just moved into the infamous Amityville house.

A detail of random people are told that they are a part of a live testing for data on their reactions in the woods without any technology at their disposal . . . when in reality they are the stars of a bored and twisted family who have gathered together for the holidays to watch them all die.

‘Ashes’ is a psychological horror film about a godless, drug-addicted male, who reluctantly receives ashes during Ash Wednesday to please his family, and is sent into a downward spiral of hallucinatory religious-themed body horror.

Julia Kerrbridge is working hard to become a doctor. Suddenly, Julia finds herself the guardian of her young niece, Amanda, after her parents were found murdered.

This 2001 J-Horror effort from director Naoyuki Tomomatsu is set in a future dystopia where teenaged girls begin dying for no apparent reason — and often in an elated, chronically happy state of mind. One of these girls, Stacy, is back from the dead, however, and she’s ready to gorge herself on human flesh. As more and more teenage-girl zombies begin to feast on the living, the people of Japan brace themselves and try to find a way to end the madness.

When two brothers are forced to fight in the Korean War, the elder decides to take the riskiest missions if it will help shield the younger from battle.