Marlborough’s beloved grapevines star in this comedy feature, which was shot at a winery in just 11 days. Twenty-something Harry (Hayden J Weal from Chronesthesia) is dumped by his fiancée, just days before their wedding at a vineyard. Two of Harry’s friends ensure the wine doesn’t go to waste as they try to cheer him up. Written and directed by Casey Zilbert, the film was inspired by classic Ernest Hemingway novel Fiesta (aka The Sun Also Rises) about drunken expats in Europe. Hang Time is Zilbert’s first movie; at university, her studies included Fiesta and wine science.

Mr Wong is a third generation fisherman in Hong Kong, struggling to keep this tradition alive. One night, he decides to leave the crowded waters of the harbour, and fish in calmer waters. His luck changes when he catches something that does not belong to this world.

A young woman is falsely convicted of a bank robbery and sent to a maximum-security prison run by a corrupt warden, where she is forced to suffer various indignities.

In the southeast region of Turkey, the Altun family lives in a small mountainside village plagued by a 25-year war, making their daily life a hellish struggle. As the war continues to intensify, the family is forced to migrate west to the city of Istanbul. While Haydar and Isa Altun decide to stay in Turkey with their young children, Davut Altun and his family migrate north to Norway, enlisting the help of smugglers. They eventually reach their destination and find work in a supermarket, but life as refugees proves relentless. Back in Istanbul, Haydar watches over the family as his wife undergoes an operation due to pregnancy complications. Their son makes friends with a group of transvestites, helping him to understand why he has felt different all of his life. While liberating, his newfound identity is seen as a disgrace to the rest of his family, leading him to flee from the abuse it produces.

Inhabited by vampires and masked avengers; and a black hole that lies just beneath the surface of this seemingly peaceful city.

Justice needs to be served at Britain’s most notorious young offenders institute.

When the troubled son of an NGO worker refuses to take a test and announces that he is not leaving his room, his concerned mother asks one of her clients, a Cuban exile, for help in setting the boy straight. Gonzalo has decided to drop out of school, and his mother Ana isn’t sure how to convince the boy that he’s making a crucial mistake. Ana’s client Carlos is a Cuban exile who makes his living selling cigars and artwork on the black market. When Carlos learns of Ana’s dilemma, he calls on recently released convict Mikel to teach the boy how to play chess. Perhaps is young Gonzalo can master the game, he can learn to start living again. As the lessons get underway, each of these characters learns that in order to truly move on with their lives they much first break free of the bonds that prevent them from being who they really are.

When Rudy Baylor (Matt Damon), a young attorney with no clients, goes to work for a seedy ambulance chaser, he wants to help the parents of a terminally ill boy in their suit against an insurance company (represented by a ruthless Jon Voight). But to take on corporate America, Rudy and a scrappy paralegal (Danny DeVito) must open their own law firm.

Ninako Kinoshita has never been in love until an encounter with the school’s most popular boy, Ren Ichinose, leads the two to befriending each other. Ren’s patient and kind personality is a far cry from his unapproachable idol status at school, and soon Ninako falls in love with him. However, she must cope with the fact that he already has a long-time girlfriend.

Three sons try to make their mother’s dreams come true by bringing home wives for Christmas.

A feature film based on the documentary “Our Brand Is Crisis”, which focuses on the use of American political campaign strategies in South America.

When her mother abandons her dementing father, Alex unexpectedly finds herself at a crossroads. As she moves back in the parental house to look after her father, she starts questioning her own life. Does she want to stay with her adulterous husband? She tolerated his affairs for years, but is she really happy with him? Or should she, like her parents, drop the facade?