Filmed during the Lambada dance craze (if there really ever was one), this film tries to have a social conscience. A princess (Laura Herring) in the Amazon rain forests tries to fight a conglomerate threatening the forests by going to Los Angeles. There she links up with a rich kid (Jeff James) who tells her that she must get on tv to succeed with her mission. Quick as a wink the two come up with the idea of winning a lambada dance contest that is getting tv attention. Sid Haig also co-stars as a witch doctor who accompanies the princess and provides some humor.
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Gracie knows hangovers. She’s intimately acquainted with them. But this one? Why did she wake up, half-dressed, on a Florida beach, 1100 miles from home? And this time her father – who also knows about the tragedy of addiction from his struggles with Gracie’s mom – isn’t going to clean things up.
Pei-xun, an early university graduate, is eager to take risks, and believes that she can play in the game of love. She soon finds out that in the adult world of love, love is not merely love – it is a war between different generations of women, and it is a war created with business and power struggles.
Adapted from the 1951 non-fiction account by psychoanalyst Georges Devereux, “Psychotherapy Of A Plains Indian,” the film follows the true story of Picard (Del Toro), a Plains Indian of the Blackfeet nation, as he returns from WWII and begins experiencing unexplainable symptoms shortly thereafter. He travels to the famous Winter Hospital in Topeka, Kansas, where he meets Devereux (Amalric), thus beginning a professional and personal friendship guided by compassion and understanding of Native American culture.
When best buds Rick and Fred begin to show signs of restlessness at home, their wives take a bold approach to revitalize their marriages: they grant the guys a “hall pass”, one week of freedom to do whatever they want. At first, it seems like a dream come true, but they quickly discover that their expectations of the single life – and themselves – are completely and hilariously out of sync with reality.
An aging, wealthy diva, Ms. Victoria Gaylord, in her late 50’s learns that she has a mysterious illness and will soon be dead. Her family, friends, and entourage gather at her fabulous estate to assist her during this time of ill health. Some of these guests are loyal while others are vultures creeping their way into Ms. Gaylord’s finances.
Derrick De Marney finds himself in a 39 Steps situation when he is wrongly accused of murder. While a fugitive from the law, De Marney is helped by heroine Nova Pilbeam, who three years earlier had played the adolescent kidnap victim in Hitchcock’s The Man Who Knew Too Much. The obligatory “fish out of water” scene, in which the principals are briefly slowed down by a banal everyday event, occurs during a child’s birthday party. The actual villain, whose identity is never in doubt (Hitchcock made thrillers, not mysteries) is played by George Curzon, who suffers from a twitching eye. Curzon’s revelation during an elaborate nightclub sequence is a Hitchcockian tour de force, the sort of virtuoso sequence taken for granted in these days of flexible cameras and computer enhancement, but which in 1937 took a great deal of time, patience and talent to pull off. Released in the US as The Girl Was Young, Young and Innocent was based on a novel by Josephine Tey.
Musical prodigy, Sparkle (Jordin Sparks) struggles to become a star while overcoming issues that are tearing her family apart. From an affluent Detroit area and daughter to a single mother (Whitney Houston), she tries to balance a new romance with music manager Stix (Derek Luke) while dealing with the unexpected challenges her new life will bring as she and her two sisters (Carmen Ejogo and Tika Sumpter) strive to become a dynamic singing group during the Motown-era.
A hip and happenin’ all girl rock group head to LA to claim lead-singer Kelly’s inheritance and make it (and make it) in LA. Soon the girls fall into a morass of drugs and deceit as their recording success soars. It takes several tragedies to make them stop and think… but is it too late?
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