Desperate for a breakthrough as she nears the big 4-0, struggling New York City playwright Radha finds inspiration by reinventing herself as a rapper.
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Henry Graham is a man with a problem: he has run through his entire inheritance, and is completely unequipped to provide for himself. His childhood guardian, Uncle Harry (a deliciously mean-spirited James Coco), refuses to give him a dime, and Henry, completely unwilling to exercise the only solution he sees–suicide– devises a plan with the help of his imaginative butler: he can make money the old-fashioned way–he can marry it. With a temporary loan from Uncle Harry to tide him over, Henry has six weeks to find a bride, marry her, and repay the money, or else he must forfeit all his property to his uncle. With only days remaining, Henry meets clumsy, painfully shy heiress Henrietta Lowell (played by director Elaine May). She’s the answer to his prayers–if only Henry can overcome the obstacles placed in his path by Uncle Harry, Henrietta’s lawyer, and Henry’s own reluctance to wed.
Choi Hae Kab (Kim Yoon Seok) has been a leftist activist since his university days and having a wife (Oh Yeon Su) and three children hasn’t stopped him from fighting the man. He makes documentaries about social issues, thumbs his nose at the government and raises his kids with a devil-may-care attitude. His children are used to his eccentricities at this point. Hae Kab doesn’t mind if they don’t go to school and he doesn’t worry when his son Na Ra (Baek Seung Hwan, Silenced) runs away from home. One day, Hae Kab’s old friend Man Deok (Kim Sung Kyun) shows up with bad news: their hometown, the southern rural island of Deul, is being sold to a resort developer. With a new fight ahead, Hae Kab picks up and moves the entire family back to Deul for a back-to-basics life.
It’s the closing night at the last drive-in theater in America and Cecil B. Kaufman has planned the ultimate marathon of lost film prints to unleash upon his faithful cinephile patrons. Four films so rare that they have never been exhibited publicly on American soil until this very night! With titles like Wadzilla, Deathecation, The Diary of Anne Frankenstein, and Zom-B-Movie, Chillerama not only celebrates the golden age of drive-in B horror shlock but also spans over four decades of cinema with something for every bad taste.
A strange and destructive relationship develops between a chef and her neighbor, a former child actress.
The film follows the life of famous 1970s runner Steve Prefontaine from his youth days in Oregon to the University of Oregon where he worked with the legendary coach Bill Bowerman, later to Olympics in Munich and his early death at 24 in a car crash.
In a night of killer comedy, Bill Burr hosts a showcase of his most raucous stand-up comic pals as they riff on everything from COVID to Michael Jackson.
The loyalty of a tight group of friends is put to the test when there’s a date rape within the circle.
After discovering a once-in-a-lifetime player with a rocky past abroad, a down on his luck basketball scout takes it upon himself to bring the phenom to the States without his team’s approval. Against the odds, they have one final shot to prove they have what it takes to make it in the NBA.
Overachieving actress, Rebecca (Moore), must come to grips with her failing marriage to stay-at-home dad, Tom (Duchovny). While Rebecca’s slacker brother, Tobey (Billy Crudup), can’t seem to commit to his aspiring-novelist girlfriend, Elaine (Maggie Gyllenhaal). As both relationships spin out of control, the two couples embark on a quest to rediscover the magic and romance of falling in love in New York.
This movie is a loose adaptation of the Shakespeare play “MacBeth”, except it’s set in the world of the dance rave culture.
