New York City English professor Axel Freed outwardly seems like an upstanding citizen. But privately Freed is in the clutches of a severe gambling addiction that threatens to destroy him.
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Shrewdly structured psychological British drama starring Tom Hughes and Ruta Gedmintas as a well-to-do young couple whose comfortable life is disrupted when a troubled teenage girl (Tasha Connor) becomes part of their ordered life. It is a tense and cleverly off-kilter drama, well performed and astutely thought-provoking. It makes great use of its Yorkshire locations, creating a tense and memorably intriguing atmosphere.
Rational, exacting, and self-controlled theater director, Henrik Vogler, often stays after rehearsal to think and plan. On this day, Anna comes back, ostensibly looking for a bracelet. She is the lead in his new production of Stindberg’s “A Dream Play.” She talks of her hatred for her mother, now dead, an alcoholic actress, who was Vogler’s star and lover. Vogler falls into a reverie, remembering a day Anna’s mother, Rakel, late in life, came after rehearsal to beg him to come to her apartment. He awakes and Anna reveals the reason she has returned: she jolts him into an emotional response, rare for him, and the feelings of a young woman and an older man play out.
A cop turns to crime to keep his spoiled sexy young wife happy. When the money starts coming in his partner was in on the action.
In 2009, Iranian Canadian journalist Maziar Bahari was covering Iran’s volatile elections for Newsweek. One of the few reporters living in the country with access to US media, he made an appearance on The Daily Show with Jon Stewart, in a taped interview with comedian Jason Jones. The interview was intended as satire, but if the Tehran authorities got the joke they didn’t like it – and it would quickly came back to haunt Bahari when he was rousted from his family home and thrown into prison. Making his directorial debut, Jon Stewart tells the tale of Bahari’s months-long imprisonment and interrogation in this powerful and affecting docudrama featuring a potent and performance by Gael García Bernal recounting Bahari’s efforts to maintain his hope and his sanity in the face of isolation and persecution-through memories of his family, recollections of the music he loves, and thoughts of his wife and unborn child.
It is Midsummer’s Eve and ten people are on a deserted castle for a TV recording. The next morning the program leader is shot dead. Kvällspressens Annika Bengtzon a mandate to monitor the murder, but she soon learns that her best friend Anne Snapphanevägen is one of the ten suspects. When the police released all one after another – all except Anne – it becomes personal for Bengtzon who will do anything to exonerate her friend.
Jade, a successful freelance photographer is hopelessly in love with her best friend of 10 years, bar manager Danny. She discovers through several challenging encounters both personally and professionally that the one thing keeping them from happy ever after is her inherent beauty – her complexion and skin tone. Her shade.
Three college freshmen chase their crushes the last night of school before summer break. But bad decisions and long-kept secrets jeopardize the trust between best friends.
This remarkable animated documentary traces the unconventional upbringing of the filmmaker Jung Henin, one of thousands of Korean children adopted by Western families after the end of the Korean War. It is the story of a boy stranded between two cultures. Animated vignettes – some humorous and some poetic – track Jung from the day he first meet his new blond siblings, through elementary school, and into his teenage years, when his emerging sense of identity begins to create fissures at home and ignite the latent biases of his adoptive parents. The filmmaker tells his story using his own animation intercut with snippets of super-8 family footage and archival film. The result is an animated memoir like no other: clear-eyed and unflinching, humorous, and above all, inspiring in the capacity of the human heart.
In 1993, after being caught in the backseat of a car with the prom queen, teenage Cameron is sent away to a treatment center in a remote area called God’s Promise. While she is being subjected to questionable gay conversion therapies, she bonds with some fellow residents as they pretend to go along with the process while waiting to be released.
