“The Hours” is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
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When millionaire wheeler-dealer Edward Lewis enters a business contract with Hollywood hooker Vivian Ward, he loses his heart in the bargain in this charming romantic comedy. After Edward hires Vivian as his date for a week and gives her a Cinderella makeover, she returns the favor by mellowing the hardnosed tycoon’s outlook. Can the poor prostitute and the rich capitalist live happily ever after?
Set in post-colonial India, Qissa tells the story of Umber Singh, a Sikh who is forced to flee his village due to ethnic cleansing at the time of partition in 1947. Umber decides to fight fate and builds a new home for his family. When Umber marries his youngest child Kanwar to Neeli, a girl of lower caste, the family is faced with the truth of their identities; as individual ambitions and destinies collide in a struggle with eternity.
On July 27th, university student Aoi Hinata (Miwa) has an accident. When she wakes up, Aoi Hinata finds herself in a classroom from one week before the accident. At that time, her childhood friend Riku Hasegawa (Kentaro Sakaguchi) tells her “I will tell you a secret. I can turn back time.” Aoi Hinata and Riku Hasegawa like each other, but never expressed their feelings. They share their feelings for each other and go back to one year earlier. They spend their time happily as girlfriend and boyfriend, but there is a big secret behind the time slip. In addition, July 27 is approaching.
Two teams are in a heated race for the money and the honor that comes with breaking the land speed world record.
A nameless woman keeps a diary as the Russians invade Berlin in the spring of 1945. She is in her early 30s, a patriotic journalist with international credentials; her husband, Gerd, a writer, is an officer at the Russian front. She speaks Russian and, for a day or two after the invasion, keeps herself safe, but then the rapes begin. She resolves to control her fate
Julian (Álex González) and his friend Luis (Miguel Angel Silvestre) are two neighborhood boys who are part of a gang of violent neo-Nazis, led by Solis (Javier Bardem). After start training in a gym, Julian is transformed gradually thanks to the discipline of boxing, the nobility of his coach (Carlos Bardem) and the love of a young latin girl (Judith Diakhate). All of this takes away from the group, but Luis is not ready to accept that leave the “herd”.
Alex Truelove is on a quest to lose his virginity, an event eagerly awaited by his patient girlfriend and cheered on with welcome advice by his rowdy friends. But Alex, a super gregarious dude, is oddly unmotivated. A magical house party throws Alex into the presence of Elliot, a hunky college guy, who pegs Alex as gay and flirts hard. Alex is taken aback but after a series of setbacks on the girlfriend front he takes the plunge and learns some interesting new facts about himself.
Lukas, 20, is a prisoner in his own body. As a pre-op transgendered person, he is constantly finding himself trapped in uncomfortable, compromising positions. His best friend, Ine introduces him to the gay scene in Cologne where he meets the confident and gorgeous, Fabio. The two develop a romantic relationship that tests the boundaries of love. ROMEOS forgoes stereotypes and conventions to offer an honest and humorous examination of the most basic of human conditions: friendship, sex, and love.
Once in the life (of drug dealing and organized crime), can anyone get out? During a brief jail stay, two half-brothers, who have rarely seen each other while growing up, connect. One of them, called 20/20 Mike because he can sense people nearby, concocts a scheme in which the two of them will steal some dope from young couriers. The heist goes awry when Billy, the junkie brother, shoots the victims of the theft. The brothers hole up in an abandoned building, and 20/20 Mike seeks help from an old cell mate, Tony, whom he thinks is out of the life. It turns out that they have stolen Tony’s dope, and Tony’s boss wants the two thieves dead. Is there any way out? Written by
Fred lives on his own. His wife is dead, his son has left. He leans on the church, busses, meat-and-two-veg. Then Leo appears. Leo is a tramp. Fred lets Leo move in with him. An absurdist feature debut with a laugh and a tear in stuffy Netherlands.
