In 2016, almost anyone you asked, or any poll you consulted, pointed you to a Hillary Clinton landslide. The Accidental President is a balanced feature documentary that is seeking to answer one question – how the hell did Trump win?

In the follow up to her 2016 comedy special, Lower Classy, Cristela Alonzo is back for her second Netflix comedy special, Middle Classy. With more money and a smile big enough to show off her hard earned new teeth, Cristela is living the American Dream. She hilariously shares the joys of aging in her forties, her first ever experience with a gyno, and the importance of family.

September 18, 1980, 6:25 p.m., Titan II base in Damascus, Arkansas. On this fateful night an explosion kills an Air Force member and transforms the lives of everyone on the base. Honing in on a single case of so-called “human error”, Command and Control juxtaposes precision on a minute scale against the gargantuan risks inherent in the United States’ aggressive nuclear proliferation policy during the Cold War.

Painter Francisco Goya faces a scandal involving his muse, who is labeled a heretic by a monk.

Girl on Wave introduces professional windsurfer Sarah Hauser and documents her journey as a New-Caledonian athlete competing on the American stage of windsurfing.

Celebrated filmmaker and photographer Cheryl Dunn turns her lens on the pioneers and masters of New York street photography. Dunn profiles artists spanning six decades, including Bruce Davidson, Mary Ellen Mark, Jill Freedman, Jeff Mermelstein and Martha Cooper, revealing that these shooters are as colourful and unique as the subjects they’ve relentlessly documented. Everybody Street explores the passion that compelled Freedman to spend years riding in squad cars during the most violent years in the city; Bruce Gilden’s drive to thrust his camera in people’s faces to capture a moment; and Martha Cooper’s dedication to chasing graffiti on passing subway cars in the Bronx. The film is a definitive look at the iconic visionaries of this often imitated art form.

Salamanca, Spain, 1936. In the early days of the military rebellion that began the Spanish Civil War (1936-1939), writer Miguel de Unamuno supports the uprising in the hope that the prevailing political chaos will end. But when the confrontation becomes bloody, Unamuno must question his initial position.

THE GREAT AUSTRALIAN FLY looks at how a national nuisance has shaped Australia and its people, confounding our scientists, influencing our lifestyle and defining the way we speak. But is its value misunderstood? The one-hour documentary explores how this much-maligned spoiler of the Australian summer is in fact a crime solver, healer, pollinator and street sweeper. We’d miss them if they were gone, yet we put huge amounts of energy into wiping them out. Is it time to call a truce? Directed by Tosca Looby and produced by Sally Ingleton, the amusing and intriguing film pays homage to a much-maligned invertebrate and the influence it has had on our world.

In 1939, a group of African American intellectuals come up with an ingenious and unlikely response to Jim Crow America — leave the planet and populate Mars. Using technology created by George Washington Carver, a three-person crew (plus one rambunctious robot) lift-off in Earth’s first working spaceship on a mission that will take them to a world not unlike present-day America. Their spacey adventure illuminates some hard truths about American culture, and threatens to undermine the time-line of history along the way.

Mostly Sunny is a documentary that tells the remarkable story of Sunny Leone, the Canadian-born, American-bred adult film star who is pursuing her dreams of Bollywood stardom.

This documentary special honors Henry Hampton’s masterpiece Eyes on the Prize and conjures ancestral memories, activates the radical imagination and explores the profound journey for Black liberation through the voices of the movement.

Don McGlynn’s uncompromising and soulful documentary look at the tumultuous life of musician and rebel Charles Mingus is fascinating stuff. Mingus said of himself “I am half black man, half yellow man, but I claim to be a Negro. I am Charles Mingus, the famed jazz musician–but not famed enough to make a living in America.” His statement summed up the conflict that plagued this musical genius his entire life: volatility, pain, prescience, and raw rage roiled inside a complex man, composer, bass player, and trombonist who transcended labels and refused to be pigeonholed into a single musical style–and who did not achieve real fame until late in his career.