A girl and a guy are stuck together after a one night stand due to a nationwide state of emergency.
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Miles Morales is juggling his life between being a high school student and being Spider-Man. However, when Wilson “Kingpin” Fisk uses a super collider, another Spider-Man from another dimension, Peter Parker, accidentally winds up in Miles’ dimension. As Peter trains Miles to become a better Spider-Man, they are soon joined by four other Spider-Men from across the “Spider-Verse”. As all these clashing dimensions start to tear Brooklyn apart, Miles must help the others stop Fisk and return everyone to their own dimensions.
Take a peak under the surface of any gay man, and who knows what you’ll find? Confessions, an anthology of disclosures from the recesses of the gay male psyche, goes some way to answer that very question. Spanning themes that are dark, sexy, intense, funny, romantic and shocking, Confessions turns a spotlight on characters you don’t often get to see- but will not want to turn away from.
Marty (Alfred Molina) is a down-and-out jazz musician with colorful dreams of making it big, but right now he’s living on the edge and making small money by giving music lessons to people who don’t seem to want them. His sometimes girlfriend, Sheila (Maggie O’Neill), is a barmaid at the Rose of Sharon, a local pub owned by the hot-tempered Frank (Seymour Cassel). One day Sheila takes an old rocking chair out of the pub’s storage and gives it to Marty; he then discovers that the chair is haunted by two ghosts, a middle-aged woman named Lilly (Marianne Faithfull) and a precocious little girl named Ruthie (Rachel Bella). Ruthie seems to be from the turn of the century, but Lilly is contemporary. These easygoing souls appear to Marty and enliven his life with non-threatening pranks, but things turn serious when Marty discovers Lilly was Frank’s wife, who killed her in a fit of rage. With the help of the mortal, the ghosts plan revenge.
In the rail yards of Queens, contractors repair and rebuild the city’s subway cars. These contracts are lucrative, so graft and corruption are rife. When Leo Handler gets out of prison, he finds his aunt married to Frank Olchin, one of the big contractors; he’s battling with a minority-owned firm for contracts.
Frank Hart is a pig. He takes advantage in the grossest manner of the women who work with him. When his three assistants manage to trap him in his own house they assume control of his department and productivity leaps, but just how long can they keep Hart tied up?