Spanish photographer Francesc Boix, imprisoned in the Mauthausen-Gusen concentration camp, works in the SS Photographic Service. Between 1943 and 1945, he hides, with the help of other prisoners, thousands of negatives, with the purpose of showing the freed world the atrocities committed by the Nazis, exhaustively documented. He will be a key witness during the Nuremberg Trials.
You May Also Like
In 1956, after the assault on a jewelry by two Argentines thieves, starts a police operation that ends with the arrest and imprisonment of offenders. However, the loot doesn´t appear, and his search will unleash a complex plot of complicity.
In the wake of a messy break-up, Andy Escobedo decides to start fresh, relocating from Austin to Los Angeles. Eager to make new connections, he befriends Roger, an unusual rideshare driver. But when Roger’s behavior gets too strange for comfort, Andy blows him off, choosing to focus on a budding relationship with his new girlfriend, Sam. This unhinges Roger, who begins to torment Andy, ensuring that his stay in L.A. is short-lived.
Iconoclastic, take-no-prisoners cop John McClane, finds himself for the first time on foreign soil after traveling to Moscow to help his wayward son Jack – unaware that Jack is really a highly-trained CIA operative out to stop a nuclear weapons heist. With the Russian underworld in pursuit, and battling a countdown to war, the two McClanes discover that their opposing methods make them unstoppable heroes.
After her father dies in an eerie accident at the family’s winery, Ellia returns home from the big city to tend to the remaining members of her disaffected family. The death is eventually ruled a homicide, with Ellia’s mother emerging as the prime suspect. Ellia takes matters into her own hands, compelled to discover the true story behind her father’s death. But the family and small-town secrets that emerge are more than she bargained for. Australia’s stunning wine country is the backdrop for this thrilling murder mystery from Director Megan Riakos.
Businessman Logan Stuart is torn between his love of two very different women in 1850s Oregon and his loyalty to a compulsive gambler friend who goes over the line.
In a world gone mad, can compassion survive the Zombie Apocalypse? Amid the horrors of the Post-Apocalyptic south, three disparate groups of survivors must come together to save themselves as the only hope for the future. Pitted against a powerful neo-Confederate tribe and the relentless hunger of the infected, our heroes find redemption, love and hope.
JULIA covers the 1930s when Lillian attained fame with the production of her play “The Childrens’ Hour” on Broadway. It centers on Lillian’s relationship with her friend, Julia. It’s a relationship that goes beyond mere acquaintance and one for which the word “love” seems appropriate. While Julia attends the University in Vienna, Lillian suffers through revisions of her play with her mentor and sometimes lover Dashiel Hammett. After becoming a celebrated playwright, Lillian is invited to a writers conference in Russia. Julia, having taken up the battle against fascism, enlists Lillian en route to smuggle money through Nazi Germany which will assist in the Anti-Fascist cause. During a brief meeting with Julia on this trip, Lillian learns that Julia has had a child which is called Lilly.
The murder of a woman in an abandoned house is the first murder this rural French island has had in 100 years. Or is it? A cop who left the island 20 years earlier and a young intern who moved away when she was six years old – but doesn’t remember those first six years of her life – team up to solve the murder and some other mysteries that develop during the course of their investigation.
It’s summer. One endless, sexy party under the open sky. Tina and her friends are living the dream of a whole generation of decadent Berlin-party-kids. But after one excessive night she’s haunted by a mysterious ugly creature in nightmares she has. The only person she talks about her fears to is her psychologist. His advice is to confront her fears and to reach out to the creature. At first Tina refuses but after she hears about her parents’ plans to put her in a mental hospital she starts talking to the creature. She slowly realizes that the creature is an incarnation of her fears and that it has the same feelings she does. Afraid of being called a freak she starts hiding the creature in her room. After a while she even gets close to it. It’s almost like a relationship with a wild stray animal. For the first time in her life, it almost seems as if Tina has the courage to be herself. But then her parents and her friends see the creature…
A wealthy Iranian family struggles to contain a teenager’s growing sexual rebellion and her brother’s newfound conservatism.
