In the aftermath of the Great Plague and amidst the subsequent witch-hunts against women, a young widow grapples with the tragic death of her husband in a society completely consumed by fear and death. Because she rejects the advances of her landlord, she is falsely accused of being a witch and thrown in jail for a crime she didn’t commit. She must endure physical persecution at the hands of England’s most ruthless witch-hunter and face her own inner demons as the devil himself starts to work his way into her mind.
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The story of the film follows Karan Khanna, a politician of Indian origin in the United Kingdom, who is accused of killing his wife. He tells his lawyer that a spirit committed the murder and should be tried.
Caroline, a woman in her late thirties, has lost everything and is searching for a new beginning. She moves into an old apartment and starts to realize that she is not as alone as she thought she was. Just as she is searching for something new, something old is searching for her.
God and Satan war over earth; to settle things, they wager on the soul of Faust, a learned and prayerful alchemist.
The gingerdead man travels back in time to 1976 and carries out an epic disco killing spree.
Trying to find inspiration for his next horror novel, Blake retreats to the Appalachian Mountains with his mistress, Angelica. Upon arrival they learn about the case of several missing boys in the area. When Angelica follows a lead to one of the missing boys and disappears, Blake becomes a prime suspect.
The film follows the artist as she prepares for what may be the most important moment of her life: a major retrospective of her work at The Museum of Modern Art in New York. To be given a retrospective at one of the world’s premiere museums is, for any living artist, the most exhilarating sort of milestone. For Marina, it is far more – it is the chance to finally silence the question she has been hearing over and over again for four decades: ‘But why is this art?’
In 1432 a stunning apparition of the Virgin Mary appeared in the sleepy town of Caravaggio becoming the inspiration for the gruesome yet extraordinary paintings of the artist, Michelangelo Merisi (better known as Caravaggio). Now, in modern day 2011, three women travel to Caravaggio — Lisa, an aspiring art student, Claudia, a sexy Italian translator and May, a young woman about to enter the nunnery. Their world turns upside down when the apparition reappears and poor May becomes plagued by premonitions of shocking murders. Who will survive the terror of the supernatural as murders based on the paintings come true and the three women must discover an obscure secret to unlock a shocking destiny…
Chris and his girlfriend Rose go upstate to visit her parents for the weekend. At first, Chris reads the family’s overly accommodating behavior as nervous attempts to deal with their daughter’s interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.
Terry Jones presents Boom Bust Boom. The result of a meeting between writer, director, historian and Python Terry Jones and economics professor and entrepreneur Theo Kocken. Co-written by Jones and Kocken and featuring John Cusack, Nobel Prize winners Daniel Kahneman, Robert J Shiller and Paul Krugman, the film is part of a global movement to change the economic system through education to protect the world from boom and bust. A unique look at why economic crashes happen, Boom Bust Boom is a multimedia documentary combining live action with animation and puppetry to explain economics to everyone.
Ken Kaneki (Masataka Kubota) is a university student. He becomes injured by Rize, a human eating ghoul. Ken is saved from the ghoul when a steel frame falls on Rize. They are both sent to the hospital. Ken receives an organ transplant from Rize and becomes a half ghoul.
In this tense tale of psychological terror, Vivian Miller (Young) is a young twenties woman who’s serving out her jail sentence at a work release program in the Midwest. Her 90 days of probation takes her to The Cawdor Theater, a dilapidated summer stock theater run by Lawrence O’Neil (Elwes). Lawrence, a failed Broadway director, is now reduced to staging amateur productions with young parolees and raging over the mistakes from his past. Vivian’s arrival in Cawdor starts a terrifying series of events that brings Lawrence’s secret past to the present. After Vivian views an old taped stage production of Macbeth, a force of evil is unleashed which soon turns its sights on her. With the help of Roddy (Welch), a local outcast, Vivian sets about trying to discover who the supernatural killer on the tape is before she becomes the next victim.
