Meet Crystal. She decides to rob a liquor store. It goes pretty ok.
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Four girlfriends reunite for a week of partying on the beach, and it’s all sand, sun and margaritas until one of them turns up dead.
A woman hiking through a forest witnesses four men committing a crime and attempts to escape, teaming up with a forest ranger along the way.
A troubled young man named Hamilton returns home for the first time in years since leaving for college and reconnects with his childhood best friend, Tucker. The two reflect on life, love, adulthood, and the ups and downs of childhood.
The London police is having trouble with organized crime commited by juvenile delinquents. Their leader is an American who is an expert at turning young men into ruthless gangsters. American cop John Harris is asked to help the London police to break up the organization.
Michael Corben, along with the rest of his high-school French class, sets out for a trip to France when he is mistaken for an agent of the same name. He is beseiged by both the good guys and the bad guys. British Intelligence outfits him with a series of James-Bond-like gizmos, and Steranko sends more would-be assassins after him. Can Michael stop the evil Steranko’s plans for European domination?
The Three Wise Men – Balthazar, Melchior and Gaspard – are on their way to Bethlehem to pay homage to the infant Jesus when they are suddenly, an inexplicably, transported two thousand years into the future. They find themselves walking the streets of Paris, where they encounter a young woman called Macha who, they are convinced, will lead them to the newborn Messiah.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
When a visitor arrives in a small Italian village, he discovers that the residents are acting like soul-less zombies–and he begins to suspect that they may be under the influence of a mysterious local woman.
Charlie and Alison are in love and it’s the real deal. Their time together is abruptly cut short, however, when one morning Charlie wakes to find the back door to their apartment is wide open, and Alison is nowhere to be found. Vanished from his life without a trace, a heartbroken Charlie eventually moves on. Years later, living with his beautiful new fiancee, and having all but forgotten Alison, Charlie receives a mysterious package. The horrifying discovery inside will bring Alison back into Charlie’s life in a terrible new way.
Four boyhood friends return to New Orleans’ Lower Ninth Ward after Hurricane Katrina, to find their home decimated and prospects for work swept away. Turning to a local gangster for employment, the crew is hired to pull off a daring casino heist, right in the heart of the city.
