As a capacity crowd holds their breath, sophomore sensation DELROY LINKS falls dead during the biggest game of his career. Simultaneously, Delroy’s death effectively ends the career of brand-named college basketball coaching legend, PHIL NEVERS. Rumors allege Nevers chose to withhold reports of Links condition in an effort to secure the conference championship. Two years later, and after a five-year hiatus from competitive athletics, MT. CHRISTOPHER UNIVERSITY reinstates their athletic program. And like most universities looking to jumpstart a newly awakened sports program, they need an influential personality to not only secure a winning team, but to validate the existence of that program.
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Alienated and cold, The Mortician (Method Man) processes the corpses with steely disregard. He is lonely and isolated. He is introduced to his new employee, Noah, (EJ Bonilla) by the morgue boss (Edward Furlong). Noah is a volatile youth working as part of his parole.Noah brings the notorious gangster, Carver (Dash Mihok), and his crew to the mortuary door. The Mortician’s attention is pricked by the tattoo of Botticelli’s ‘Birth of Venus’ inked on the body of a murdered woman (Judy Marte), that arrives at the morgue, triggering a series of haunting dreams from his childhood. Discovering a scared child, Kane (Cruz Santiago), fleeing the morgue, he’s forced to act. They become reluctant allies, struggling for redemption as they run. Through his awkward heroism, the Mortician reconnects with his long forgotten past, and finds the answers he’s been searching for. He find redemption and peace.
When cocky military lawyer Lt. Daniel Kaffee and his co-counsel, Lt. Cmdr. JoAnne Galloway, are assigned to a murder case, they uncover a hazing ritual that could implicate high-ranking officials such as shady Col. Nathan Jessep.
Good policing doesn’t necessarily mean doing everything by the book. But as the business of crime in London turns to favour the Albanians and Turks, how does a “good” policeman survive?
Based on a novel by the late Finnish writer Timo Mukka, this simple story focuses on what happens when Milka (Irma Huntus), a girl barely out of childhood, gets pregnant by Ojanen (Matti Turunen) a rustic fieldhand. Her own mother had been hoping to marry Ojanen, and her daughter’s pregnancy turns their lives around. Set in the Lapp country of northern Finland, the scenery is breathtaking, made even more so by the isolation of the region. A sense of natural solitude is underscored by a slow-moving dialogue interspersed with long silences, and the connection between nature and the dialogue is underscored as the young Milka recites poetry while out in the countryside. The fate of Milka and her mother, however, is connected to the decision that Ojanen makes at the end.
Dane Jensen is a driven Chicago-based headhunter, working at a cut-throat job placement firm. When Dane’s boss announces his retirement, he pits Dane against Lynn Wilson, Dane’s equally driven but polar-opposite rival at the firm, in a battle for control over the company. As Dane gears up for the professional battle of his life, he learns his 10-year-old son Ryan is diagnosed with an illness. Suddenly, Dane is pulled between achieving his professional dream and his family, who need him now more than ever.
After a series of bomb blasts in Hyderabad a special ATS team lead by officer Desai name Yasin Darji as the suspect. Following a tip-off the team reaches a location to arrest Yasin only to end up arresting Sameer, the wrong guy. While the error needs to be fixed, the higher authorities decide to bargain with Sameer for his freedom, sending him as a mole. Sameer turns a mole to stop Yasin Darji before he kills more innocent people. A chase begins. Will they manage to stop Yasin, or will Yasin trump?
The Spanish troops in the Philippines Have to fight for their lives as they are forgot by the Spanish Empire
A young woman in L.A. is having a bad day: she’s evicted, an audition ends with a producer furious she won’t trade sex for the part, and a policeman nabs her for something she didn’t do, demanding fellatio to release her. She snaps, grabs his gun, takes his uniform, and leaves him cuffed to a tree where he’s soon having a defenseless chat with a homeless man. She takes off on the cop’s motorcycle and, for an afternoon, experiences a cop’s life. She talks a young man out of suicide and then is plunged into violence after a friendly encounter with two “vatos.” She is torn between self-protection and others’ expectations. Is there any resolution for her torrent of feelings?
While fulfilling her community service hours at a horse rescue ranch, Emma forms an unlikely bond with an abused show horse who won’t let anyone ride him.
“My plan was to die before the money ran out,” says 60-year-old penniless Manhattan socialite Frances Price, but things didn’t go as planned. Her husband Franklin has been dead for 12 years and with his vast inheritance gone, she cashes in the last of her possessions and resolves to live out her twilight days anonymously in a borrowed apartment in Paris, accompanied by her directionless son Malcolm and a cat named Small Frank—who may or may not embody the spirit of Frances’s dead husband.
