A young couple, Kaia and Andrew, are renovating Kaia’s secluded family estate. Their lives are violently disrupted upon the unexpected arrival of Kaia’s sister, Christine, and her fiancé, Ira.
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In a future where a failed global-warming experiment kills off most life on the planet, a class system evolves aboard the Snowpiercer, a train that travels around the globe via a perpetual-motion engine.
Ikku, Mighty and Tomu live in Saitama, not exactly the coolest places to get involved in a wanna-be rap star lifestyle. But try they do with their freestyle rap band Sho-Gung. Yu Irie, who gained the Grand Prize at Yubari Fantastic Film Festival with this film, grew up in Saitama and inserts the grim realities of suburban youth skillfully in his comedic style.
Directed by Richard C. Sarafian, this 1969 British children’s film stars Mark Lester as a young boy, unable to speak, who befriends both a wild colt with blue eyes and a falcon named “Lady”. The cast also includes John Mills, Gordon Jackson and Sylvia Sims.
Luke’s exultance at being selected for The Skulls (a secret society bred within the walls of a prominent Ivy League Campus) is soon overshadowed when he realises that all is ‘not well in Wonderland’. For The Skulls is a breeding ground for the future powerful and elite. It’s not only a far cry from his working class background, but it also hallows its own deep and dark secrets.
It is the story of an 18 year old boy who falls hopelessly in love with a 25 year old woman. A woman he cannot have, but a woman he cannot help but desire. And, as is the case with desires unfulfilled, they turn into obsessions. The movie emphasizes that in a world of temptation, romance is temporary, love is lonely, but addiction is forever
In a small Southern town in the autumn of 1941, Sophie’s lonely life is transformed when an Asian man arrives under mysterious circumstances. Their love affair becomes the lightning rod for long-buried conflicts that erupt in bigotry and violence with the outbreak of World War ll.
The Bread Factory is the scene for rehearsals of the Greek play Hecuba. But the real theatrics are outside the theater, with the town invaded by bizarre tourists and mysterious tech start-up workers. There is a new normal in Checkford, if it is even really Checkford any longer.