It is a Saturday in autumn, and Karin and Simon are visiting their parents and youngest sister Clara. This family gathering provides the occasion for a dinner together, at which other relatives appear over the course of the day. While the family members animate the apartment’s space with their conversations, everyday activities and cooking preparations, the cat and dog range through the various rooms. they too become a central element in this quotidian familial dance that repeatedly manifests stylized elements, disrupting any naturalistic mode of presentation. In this way, adjoining spaces open up between family drama, fairy tale and the psychological study of a mother.
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An “Airplane!”-style spoof of hospital soap operas: a brilliant young trainee can’t stand the sight of blood; a doctor romances the head nurse in order to get the key to the drugs cabinet; there’s a mafioso on the loose disguised as a woman – in other words all the usual ingredients present and correct, though in this case the laughs are intentional.
A couple expecting their first child discover an unnerving difference between themselves and the couple living in the flat below them who are also having a baby.
With his boss in the madhouse, a mobster is temporary boss of the criminal empire just as vicious rivals threaten the control of the empire.
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If Stan, Kyle and Cartman could just work together, they could go back in time to make sure Covid never happened. But traveling back to the past seems to be the easy answer until they meet Victor Chaos.
It’s the hope that sustains the spirit of every GI: the dream of the day when he will finally return home. For three WWII veterans, the day has arrived. But for each man, the dream is about to become a nightmare. Captain Fred Derry is returning to a loveless marriage; Sergeant Al Stephenson is a stranger to a family that’s grown up without him; and young sailor Homer Parrish is tormented by the loss of his hands. Can these three men find the courage to rebuild their world? Or are the best years of their lives a thing of the past?
Two lads in Edinburgh embark on a non-violent spree of robberies. They dress up in clown masks and act as modern highwaymen, robbing coach loads of tourists in the highlands. In the process they become folk heroes to the locals. Their adventures make for a whimsical and gentle comedy, in the Bill Forsyth vein.
Danny Foster doesn’t have much: an apartment as small as his paychecks, no family, and a struggling music career. Yet for him, “every day is a great day to be alive,” an attitude he gained from his mother’s unwavering optimism during her losing battle with cancer. It’s love at first sight when Danny meets Ariana, a wealthy girl from Greenwich, CT who tragically cannot hear the music she inspires him to write. Ariana, hearing impaired since childhood, is torn between hanging onto the shelter her controlling mother provides and fighting for a love that, if given the chance, might just change her life
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A struggling musician becomes a 12-year-old musical prodigy’s guardian for a summer.
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