A lurid fantasy of wounded flesh and accursed lives that entwine and separate in a building run by a landlord (Simon Yam), who seeks to find a particular type of tenant for the property he inherits from his relatives. Driven by his desire of peeping into the darkest aspects of human nature, what he sees through the eyes of the omnipresent cameras ain’t pretty… but it gives him the wry, abject satisfaction of a dark god lording over and leering at the souls of the damned, his imagination hungering toward them.
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A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic drive…
A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family’s killers free. He targets not only the killer but also the district attorney and others involved in the deal.
In a society grappling with its communist past and European present, both the cultural elite and disenfranchised young men see forces of darkness descending over Europe. And then there are those who benefit from the inevitable clashes and ensuing chaos, like disgraced law student Tomek (Maciej Musiałowski) who’s desperately trying to get the attention of childhood friend Gabi (Vanessa Alexander) and the respect of her progressive family. Taking a job at a high-profile but amoral PR company to impress Gabi, Tomek soon finds that he excels at the dirty political games that he is asked to orchestrate on social media. But there’s a human price to his meddling. As Tomek gets sucked in deeper, his humanity slowly drains away, and it becomes less clear what the end game is.
When a struggling publisher discovers his only successful author is blocked he knows he has to unblock her or he’s finished. With her newfound success, she’s become too damn happy and she can’t write when she’s happy.The only trouble is, the worse he makes her feel, the more he realises he’s in love with her.
Scotty Smalls moves to a new neighborhood with his mom and stepdad, and wants to learn to play baseball. The neighborhood baseball guru Rodriquez takes Smalls under his wing. They fall into adventures involving baseball, treehouse sleep-ins, the desirous lifeguard at the local pool, the snooty rival ball team, and the travelling fair.
Adolf Hitler faces himself and must come to terms with his infamous career in an imaginary post-war subterranean bunker where he reviews historical films, dictates his memoirs and encounters Eva Braun, Josef Goebbels, Hermann Göring and Sigmund Freud.
The year is 1942, and Archie Glass Is trying to get into Hollywood. His chance comes as he is offered a job: Find a young white movie star before the press reports that she is missing and he will have a shot at his Hollywood dream. Thus begins a journey into a Los Angeles you have never seen before, the actors who play the maids, the busboys, the background actors in jungle films, all spring into the foreground in this dramatic noir about a man willing to do anything to make his dream come true. Archie searches the back alley of Hollywood and discovers more lies than truth. Ultimately he finds the woman he is looking for and the dark reality of being a black man in tinsel town.
When Hilda wakes up in the body of a troll, she must use her wits and courage to get back home, become human again — and save the city of Trolberg.
Set in the southern USA, a racist white man, Hank, falls in love with a black woman named Leticia. Ironically, Hank is a prison guard working on Death Row who executed Leticia’s husband. Hank and Leticia’s inter-racial affair leads to confusion and new ideas for the two unlikely lovers.
Three rival actresses and their crew, desperate and hating each other, reunite for a horror movie sequel when someone starts killing them off just like in their movie, in this bitchy, raunchy comedy mystery.
Paul (Macfadyen), a prize-winning war journalist, returns to his remote New Zealand hometown due to the death of his father, battle-scarred and world-weary. For the discontented sixteen-year-old Celia (Barclay) he opens up a world she has only dreamed of. She actively pursues a friendship with him, fascinated by his cynicism and experience of the world beyond her small-town existence. But many, including the members of both their families (Otto, Moy), frown upon the friendship and when Celia goes missing, Paul becomes the increasingly loathed and persecuted prime suspect in her disappearance. As the violent and urgent truth gradually emerges, Paul is forced to confront the family tragedy and betrayal that he ran from as a youth, and to face the grievous consequences of silence and secrecy that has surrounded his entire adult life.
Martial law is declared when a mysterious viral outbreak pushes Korea into a state of emergency. Those on an express train to Busan, a city that has successfully fended off the viral outbreak, must fight for their own survival…