Two students, Sarah and Philip, after meeting online develop a tragic plan to end their lives. They decide to meet and hike into the mountains where they would jump off a cliff together. They share their thoughts and struggles, looking into enduring issues about family, depression and fulfillment, while also touching upon the unique issues of growing up in the modern world.

Alabama; 1969: The death of a clan’s estranged wife and mother brings together two very different families. Do the scars of the past hide differences that will tear them apart, or expose truths that could lead to unexpected collisions?

A French actress filming an anti-war film in Hiroshima has an affair with a married Japanese architect as they share their differing perspectives on war.

At an elite New England university built on the site of a Salem-era gallows hill, three black women strive to find their place. Navigating politics and privilege, they encounter increasingly terrifying manifestations of the school’s haunted past… and present.

Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.

After an overnight long-distance drive, Joby has a special meeting—with lawyers and his ex-wife. A struggling musician with the prerequisite tattoos, slimy hair, goatee, and his head firmly floating in the clouds, Joby hasn’t been around to be a dad. Now is his last chance to fight for shared custody of his daughter, Ellen.

The film centers on a fight promoter (Mark Feuerstein) deeply in debt to his crooked rival. Desperate for a new fighter that will help him win back everything he owes, the promoter catches a break when a 450-pound church handyman (Paul “Big Show” Wight) who has spent his entire life in an orphanage agrees to wrestle on behalf of his fellow orphans.

The story revolves around a “surprise” kidnapping case. Liu Xiaojun (Dapeng), the owner of the car dealership, was involved in a kidnapping case for the accident of reselling a black car. He was surrounded by the kidnapped little girl Kiki (Ulanto Yaduo), the dereliant brother Xia Xi (Ou Hao) Several seemingly irrelevant people, such as Xia Tao (Sha Baoliang), dancers (Li Meng ), and second-hand car dealers (Cao Bingyu), have also fallen into the abyss of eternal annihilation.

A man and his 9-year-old daughter disappear into the swampy Virginia backwoods. Haunted by tragedy and destitution, they must both face the painful past if they are to ever have a future.

On her 60th birthday, the proud owner of a Los Angeles strip club, finds herself in hot water over a twenty-five year old debt to the mob, leading her on a downward spiral of violence and revenge through the underbelly of Los Angeles.

Lilah Krytsick is a mother and housewife who’s always believed she could be a stand-up comedian. Steven Gold is an experienced stand-up seemingly on the cusp of success. When the two meet, they form an unlikely friendship, and Steven tries to help the untried Lilah develop her stage act. Despite the objections of her family and some very wobbly beginnings, Lilah improves, and soon she finds herself competing with Steven for a coveted television spot.