Set in 1920’s New York City, this movie tells the story of idealistic young playwright David Shayne. Producer Julian Marx finally finds funding for the project from gangster Nick Valenti. The catch is that Nick’s girl friend Olive Neal gets the part of a psychiatrist, and Olive is a bimbo who could never pass for a psychiatrist as well as being a dreadful actress. Agreeing to this first compromise is the first step to Broadway’s complete seduction of David, who neglects longtime girl friend Ellen. Meanwhile David puts up with Warner Purcell, the leading man who is a compulsive eater, Helen Sinclair, the grand dame who wants her part jazzed up, and Cheech, Olive’s interfering hitman / bodyguard. Eventually, the playwright must decide whether art or life is more important.

A politically incorrect comedy that enthralls the viewer into a strategic moment in history where wrong is right and right is wrong, and ultimately answers that age-old question: Is blood really thicker than water? And, if war kills, can weed heal?!

At an exclusive country club, an ambitious young caddy, Danny Noonan, eagerly pursues a caddy scholarship in hopes of attending college and, in turn, avoiding a job at the lumber yard. In order to succeed, he must first win the favour of the elitist Judge Smails, and then the caddy golf tournament which Smails sponsors.

Restless and ready for adventure, four suburban bikers leave the safety of their subdivision and head out on the open road. But complications ensue when they cross paths with an intimidating band of New Mexico bikers known as the Del Fuegos.

When a new kid named Cory moves to town, he’s picked on by the school bullies. To protect himself, he doesn’t use his fists-he uses his brain instead! He scares the bullies off by fibbing that his father is a hit man for the mob. Word quickly spreads around and gets the attention of the REAL mobsters in town, too. Now his dad has the problem! As shenanigans between the family and the mobsters ensue, Cory must find a way to make things right.

Young, bestselling author Eryn Bellow concludes her bookstore tour with her agent selling film rights and closing a six figure advance for her follow-up. Headwinds arise as critics get offended by the claims that Eryn is being declared a living literary legend. The storm gathers force as the assaults gravitate from bad reviews to a fake-memoir designed to obliterate her from the field. Through the noise, Eryn attempts to write her way out of the public fray, and reclaim her voice in the minds of her readers. Along the way, she hopes to prove a happy ending is not always a bad thing.

A radio journalist and his technician get in over their heads when they hatch a scheme to fake their own kidnapping during a rebel uprising in South America and hide out in New York instead.

Mikio (Masato Sakai) is a married man and works hard for the company where he is employed. Then one day Mikio is diagnosed with depression. Mikio’s wife is Haruko (Aoi Miyazaki). They have been married for 5 years. Haruko draws comics for work, but they do not sell well. She mainly relied on Mikio for support. Meanwhile, Haruko did not notice any changes in her husband. She begins to blame herself for not noticing any signs. Mikio’s depression derived from his work. His company has been pressing him to quit the company. After Mikio quits his job his condition improves, but the dynamics of their relationship changes.

The lives of two different families collide when their children begin a relationship that leads to a tragic accident.

Two guys, one of them a magician, are transporting an ancient chinese vampire who can only be controlled by a series of yellow tapes, and is the ancestor of the other guy. On the way, while flying over Africa, their plane stalls. And of all places, where do they land? That’s right, in the village of the tribe of “The Gods Must Be Crazy”.

Upon learning that their mother has been lying to them for years about their allegedly deceased father, two fraternal twin brothers hit the road in order to find him.

Fioravante decides to become a professional Don Juan as a way of making money to help his cash-strapped friend, Murray. With Murray acting as his “manager”, the duo quickly finds themselves caught up in the crosscurrents of love and money.