A 1950s used-car salesman (Patrick Warburton) wants to make a low-budget film about a trucker who accidentally runs down a child.
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At an elite New England university built on the site of a Salem-era gallows hill, three black women strive to find their place. Navigating politics and privilege, they encounter increasingly terrifying manifestations of the school’s haunted past… and present.
Henry is a lawyer who survives a shooting only to find he cannot remember anything. If that weren’t enough, Henry also has to recover his speech and mobility, in a life he no longer fits into. Fortunately, Henry has a loving wife and daughter to help him.
Samao Daikoku’s (Shota Sometani) family register was taken which keeps him from escaping the underground life that he has led. To get away once and for all, Samao Daikoku breaks into Daikichi Ebisu’s (Kiyohiko Shibukawa) coin locker to steal gold. Daikichi Ebisu is involved in a criminal organization. In the locker, Samao Daikoku finds a hard disk containing personal information on runaways, homeless people, bankrupt people and prostitutes. He hides the hard disk, but is locked up by Daikichi Ebisu. There, he sees a prostitute, Ami Nanmu (Erina Mizuno) and he also faces an evil gang boss, Kan Senju (Gou Ayano). Samao Daikoku is tortured by the gang boss. The mystery behind Samao Daikoku’s past is revealed.
Deadly dance tournament is carried out in the city survived after nuclear apocalypse. Energy is extracted from the loser for the city to survive. A young guy from the street is forced to take part in the tournament and falls in love with girl who volunteered to participate in the battle. Will they survive or the arena will take their lives?
Thom Pain is just like you, except worse. One night, he finds himself on a stage, in the dark, in a theatre. In the audience are people who, just like him, were born and will die. Thom is going to try to make sense of it all. He’s going to try to save his life, to save their life, to save your life – in that order. A camera crew captures the night, as various forces align to produce a reckless and accidentally profound event.
RAGAMUFFIN is based on the true story of Rich Mullins, a musical prodigy who rose to Christian music fame and fortune only to walk away and live on a Navajo reservation. An artistic genius raised on a tree farm in Indiana by a weathered, callous father, Rich wrestled all of his life with the brokenness and crippling insecurity born of his childhood. A lover of Jesus and a rebel in the church, Rich refused to let his struggles with alcoholism, addiction and women tear him away from a God he was determined to love. As he struggled with success in Nashville, depression in Wichita, and oblivion in the Four Corners, Rich became one of the first of his time to live honestly amidst a culture of religion and conformity.
Roy Parmenter is an FBI agent in San Diego; 20 years ago his partner was killed by a Soviet spy, nicknamed Scuba, still at large. Scuba is now trying to extort the Soviets; to prove he’s serious, he’s killing their agents one by one, including “sleepers,” agents under deep cover awaiting orders. Roy interviews a high school lad, Jeff Grant, an applicant to the Air Force Academy. In a routine background check, Roy discovers that Jeff’s parents are sleepers. He must see if Jeff is also a spy, confront the parents yet protect them, and catch his nemesis. Meanwhile, the Soviets have sent their own spy-catcher, the loner Karpov, to reel in Scuba. Alliances shift; it’s cat and mouse.
Rebecca must throw the company holiday party with office rival, Chris. It coincides with Hanukkah, so she must juggle her work, family traditions, and nemesis to make the party a success.
Park Tae-Soo was born to a difficult family, one day he wanted to be a prosecutor. He was able to achieve his dream accepted in one of the best university in South Korea and became a prosecutor. Park Tae-Soo is one of the best prosecutor although he is the youngest among them. Than everything changed when he meet Han Kang-Sik, prosecutor that has the power of the king, but then Tae-Soo see what’s behind the curtain, the movie reflected the power of the prosecutors on the 90s.