The gritty, thrilling story of local militias and uneasy allies who banded together to liberate Iraq’s second-largest city of 1.3 million people from ISIS in 2017.

Thomas Riedelsheimer’s landmark Rivers and Tides inventively documented artist Andy Goldsworthy as he created his wondrously ephemeral site-specific sculptures, spun from nature. Fifteen years later, Goldsworthy is still appealingly engaged in his philosophical and tactical exploration of the natural world. Leaning Into the Wind is a collaborative sequel—a visual and aural sensation that takes viewers into the hillsides, terrains, and other outdoor spaces where Goldsworthy feels most at home and inspired.

Documentary about the life of skateboarder Danny Way and his attempt at jumping over the Great Wall of China on a skateboard.

An IMAX documentary about the national parks of America.

Tells the story of a man desperately trying to be a good father after a lifetime spent trying to be a great star

A celebration of the musical work of a group of session musicians known as “The Wrecking Crew”, a band that provided back-up instrumentals to such legendary recording artists as Frank Sinatra, The Beach Boys and Bing Crosby.

A feature documentary about the people and the planes that helped win World War War II. Through people personally connected to the events, the film investigates the story of how the Spitfire, its stable-mate, the Hawker Hurricane and its great adversary, the Messerschmitt 109 came into being during the huge advances in aviation in the interwar period—and then how the pilots fared in combat, three miles up in the skies over Europe, Africa and Asia.

We Are the Giant tells the stories of ordinary individuals who are transformed by the moral and personal challenges they encounter when standing up for what they believe is right. Powerful and tragic, yet inspirational, their struggles for freedom echo across history and offer hope against seemingly impossible odds.

With one of the most memorably stunning voices that has ever hit the airwaves, Linda Ronstadt burst onto the 1960s folk rock music scene in her early twenties.

For decades science fiction writers have amazed us and terrorized us with their portrayal of the world of artificial intelligence – from armies of cyborgs to legions of programmed zombies. Today we are now living in that future age of robots and artificial intelligence and all those dreams of the past are coming true. Mechanical robots will soon be outdated with biologically created humanoids connected to each other across the globe. They will self-repair, gather energy from the sun and live forever. They will be all-knowing and all-powerful like Gods that will walk the Earth. This future world is now inevitable and cannot be stopped. The greatest brains on Earth today have warned us about the consequences of getting this new technology wrong. They have predicted catastrophe. Prepare to meet your future.

WHITEY: United States of America v. James J. Bulger captures the sensational trial of infamous gangster James ‘Whitey’ Bulger, using the legal proceedings as a springboard to explore allegations of corruption within the highest levels of law enforcement. Embedded for months with Federal Prosecutors, retired FBI and State Police, victims, lawyers, gangsters and journalists, Academy Award-nominated filmmaker Joe Berlinger examines Bulger’s relationship with the FBI and Department of Justice that allowed him to reign over a criminal empire in Boston for decades. Pulling back the curtain on long-held Bulger mythology, the film challenges conventional wisdom by detailing shocking, new allegations. With unprecedented access, Berlinger’s latest crime documentary offers a universal tale of human frailty, opportunism, deception, and the often elusive nature of truth and justice.

Nude men in rubber suits, close-ups of erections, objects shoved in the most intimate of places—these are photographs taken by Robert Mapplethorpe, known by many as the most controversial photographer of the twentieth century. Openly gay, Mapplethorpe took images of male sex, nudity, and fetish to extremes that resulted in his work still being labelled by some as pornography masquerading as art. But less talked about are the more serene, yet striking portraits of flowers, sculptures, and perfectly framed human forms that are equally pioneering and powerful.