In Poland, behind the gates of an exclusive housing estate, the life of its wealthy residents is regulated by an old code of honor, due to which the Kowalskis and the Nowaks have been embroiled in a bloody family feud for years.

This Canadian made comedy/drama, set in Hamilton, Ontario in 1954, is a sweet and – at times – goofy story that becomes increasingly poignant as the minutes tick by.
It’s the fictional tale of a wayward 9th grader, Ralph (Adam Butcher), who is secretly living on his own while his widowed, hospitalized mother remains immersed in a coma. Frequently in trouble with Father Fitzpatrick (Gordon Pinsent), the principal of his all-boys, Catholic school, Ralph is considered something of a joke among peers until he decides to pull off a miracle that could save his mother, i.e., winning the Boston Marathon. Coached by a younger priest and former runner, Father Hibbert (Campbell Scott), whose cynicism has been lifted by the boy’s pure hope, Ralph applies himself to his unlikely mission, fending off naysayers and getting help along a very challenging path from sundry allies and friends.

Monty is a mechanic struggling to make ends meet as he raises his three young daughters. When the court awards custody of his daughters to his shady ex-wife, Monty desperately tries to win them back with the help of Julia, a beautiful, Ivy League-educated attorney. Monty and Julia couldn’t be less alike, but a flame is ignited…touching off a firestorm of love and conflict.

The Punk Syndrome is a film about Finland’s most kick-ass punk rock band, Pertti Kurikan Nimipäivät. The band members, Pertti, Kari, Toni and Sami, are mentally handicapped and they play their music with a lot of attitude and pride. We follow these professional musicians on their journey from obscurity to popularity. We watch them fight, fall in love and experience strong emotions. We witness long days in the recording studio and on tour. They laugh, cry, drink and fight over who gets to sit in the front on the tour bus. Then it’s time to make up and go talk to people in the audience and tell them how great their band is.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.

A coming-of-age story set during China’s Cultural Revolution. 11 year old Wang Han finds himself entangled with a fugative and struggles to understand the adult world.

Alien pods come to Earth and, naturally, start taking over Human Hosts. One such pod only manages to take over one human’s, Shin Izumi, right arm. Together they grow and co-exist, all the while the other aliens are making meals of other humans; Shin feels he must put a stop to it all, but his alien, Migi, doesn’t see why.

When famed photographer Christina Eames dies unexpectedly, she leaves her estranged daughter, Mae, hurt, angry and full of questions. When Mae finds a photograph tucked away in a safe-deposit box, she soon finds herself delving into her mother’s early life — an investigation that leads to an unexpected romance with a rising journalist.

Kidnapped by a Los Angeles crime syndicate, a group of schoolgirls must fight and seduce their way to vengeance after one of them committed suicide, teaching the criminals a lesson in kicking butt and taking names.

Elizabeth and Johnny, each of whose pasts have been sorrowful, find salvation in each the other. Theirs is a romance that knows no bounds until an accident leaves one in a coma and their burgeoning love ripped apart. Enter the guarded Seth who has been keeping a watch over the shattered Elizabeth. He resolves to do what it takes to save Johnny even if that means the only way to prolong his life, which hangs in the balance, is by turning him into a vampire. Shot in Memphis Tennessee from a reinvigorating fresh perspective, Daylight Fades conjures a heartbreaking experience of love found and lost and reborn, the depths of despair and the profound connections we break in the mending of our hearts.

Sending a burning arrow into the stunting effects that the compartmentalization of culture has on how creativity manifests, visual artist Doug Aitken embarked on an experiment exploring a less materialistic and more nomadic direction of art creation, exhibition, and participation. Station to Station involved a train that crossed North America housing a constantly changing creative community including artists, musicians, and curators, who collaborated in the creation of recordings, artworks, films, and 10 unique happenings, across the country.

In 1852, the mountain village in Provence where Violette lives is brutally deprived of all its men after the repression of the republicans ordered by Napoleon III. Women spend months in total isolation, desperate to see their men again. In this situation, they make an oath in case a man arrives in the village.