The region where the borders of North Korea, China, and Russia come together, forms a sort of modern day wild west, where more than half of the population relies on illegal activity in order to survive. In Yanbian, on the Chinese side of the border, Gu-nam (Ha Jung-woo) wiles away his days driving a cab and spends his nights getting drunk and gambling. His wife went to Seoul to work and send back money, but it’s been months since he has heard from her. When local crime lord Myun (Kim Yun-seok) offers to erase Gu-nam’s debts in exchange for a contract killing in Seoul, Gu-nam reluctantly accepts.
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The story of a loving man and father who falls under the influence of an extremely orthodox Protestant sect. He sacrifices everything and everyone to this faith, including his business and the respect of his younger son. However, he never loses the love of his wife.
During Nazi occupation, red-headed Bent Faurschou-Hviid (“Flame”) and Jørgen Haagen Schmith (“Citron”), assassins in the Danish resistance, take orders from Winther, who’s in direct contact with Allied leaders. One shoots, the other drives. Until 1944, they kill only Danes; then Winther gives orders to kill Germans. When a target tells Bent that Winther’s using them to settle private scores, doubt sets in, complicated by Bent’s relationship with the mysterious Kitty Selmer, who may be a double agent. Also, someone in their circle is a traitor. Can Bent and Jørgen kill an über-target, evade capture, and survive the war? And is this heroism, naiveté, or mere hatred?
After an alien ship crash lands onto a Russian city, many who have saw the inside and the occupants start to question their own existence while there are those who demand the aliens to leave Earth
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Dorante, an impoverished young man, is taken on as a secretary by Araminte, a rich widow with whom he is secretly in love. The valet Dubois does all he can to get Araminte to fall in love with Dorante. Following his staging of Marivaux’s comedy at the Odéon theater, Luc Bondy turns the whole theater building into a film studio, placing his actors in the foyer, under the stage, in the kitchens, using the most unusual and unexpected spots to invent a new dynamic between theater and film.
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