SUPERHUMAN: The Invisible Made Visible is based on the jaw-dropping experiences of individuals with extra-sensory powers that seem to defy the laws of physics known to man today. Producer and host Caroline Cory, who has her own extensive experience in the field of Consciousness Studies and Extra Sensory Perception, takes the viewers on an extraordinary journey to achieve tangible and measurable proof of these seemingly miraculous phenomena. Through a series of groundbreaking scientific experiments and demonstrations, viewers will find themselves connecting the dots about the true nature of their own consciousness, the relation between mind and matter and discover whether they live in a simulated matrix or if they can have control over their physical reality and create a fulfilling human experience. The film ultimately shows that once the invisible worlds are made visible, this attained higher awareness will transform humans into superhumans.

A washed up Vegas lounge singer, Jack Satin (Hamilton von Watts), has no money, no job, and delusional aspirations of fame. When Jack is forced to leave Vegas, he packs up his old Cadillac and hits the road for Atlantic City. But his car dies in the desert and Jack is left stranded in the small town of Lost Springs. There, Jack meets jazz legend turned mechanic, Doc Bishop (Robert Guillaume), who helps him with his car trouble. Although Jack is far from the stage, he begins to find himself feeling at home in the small town. When he meets local bar owner, Lauren Wells (Melissa Joan Hart), Jack starts to see there is more to life than chasing fame and fortune. Doc encourages Jack to explore his true love of music, while Lauren provides the audience he has always wanted. But as Jack realizes this town has more to offer him than the bright lights of the big city, his Vegas past catches up with him — what unfolds is comedy at the crossroads of life.

Chronicles the final tour from Black Sabbath. On February 4th, 2017, Black Sabbath takes the stage in Birmingham, the city where it all began, to play the 81st and final gig of the tour and bring down the curtain on a career that spanned almost half a century.

Yuli is the nickname given to Carlos Acosta by his father, Pedro, who considers him the son of Ogun, an African god and a fighter. As a child Yuli avoids discipline and education, learning from the streets of an impoverished and abandoned Havana. His father, however, has other ideas, and knowing that his son has a natural talent for dance, sends him to the National Ballet School of Cuba. Despite his repeated escapes and initial poor behaviour, the boy is inevitably drawn to the world of dance, and begins to shape his legendary career from a young age, becoming the first black dancer to be cast in some of the most prestigious ballet roles, originally written for white dancers, in companies such as the Houston Ballet or the Royal Ballet in London.

When reporter Jean Craddock interviews Bad Blake — an alcoholic, seen-better-days country music legend — they connect, and the hard-living crooner sees a possible saving grace in a life with Jean and her young son. But can he leave behind an existence playing in the shadow of Tommy, the upstart kid he once mentored?

Featuring never-before-seen home movies and photographs, musician Bill Wyman opens up his vast personal archives to share stories and memories of his three-decade stint as bassist of the Rolling Stones.

Veronica is brilliant, gifted and beautiful, but the handsome aristocrat she loves, Marco Venier, cannot marry her because she is penniless and of questionable family. So Veronica’s mother, Paola, teaches her to become a courtesan, one of the exotic companions favored by the richest and most powerful Venetian men. Veronica courageously uses her charms to change destiny — and to give herself a chance at true love.

The inimitable Danny Kaye stars as famed storyteller Hans Christian Andersen in this charming fictionalized biopic that blends music, romance, comedy and fantasy to trace the life of Denmark’s literary hero. A small-town shoemaker with a knack for spinning yarns, Hans encounters happiness and heartbreak on his road to becoming a full-fledged writer.

Lieutenant Ted Jackson spends his lat day on active duty in the Navy disarming an underwater mine. While disarming the explosive he sees what appears to be a sunken ship. Overcome with curiosity, he investigates and finds a treasure chest filled with what he thinks are Spanish gold coins.

Through a combination of hand-held and hidden camera footage, Lucent explores the darker side of Australia’s pig farming industry, highlighting the day-to-day cruelty accepted by the industry as standard practice.

Ella Fitzgerald was a 15-year-old street kid when she won a talent contest in 1934 at the Apollo Theatre in Harlem. Within months she was a star. Over the next six decades, her sublime voice would transform the tragedies of her own life and the troubles of her times into joy. JUST ONE OF THOSE THINGS retraces this extraordinary journey.

BRIGHT GREEN LIES dismantles the illusion of green technology in a bold and shocking exposé, revealing the lies and fantastical thinking behind the notion that solar, wind, electric cars, or green consumerism will save the planet. Almost every major environmental organization is pushing for so-called renewable energy. Claims are being made about “green” technologies that are frankly untrue. Words like “clean”, “free”, “safe”, and “sustainable” are often thrown around. But solar panels and wind turbines don’t grow on trees. The mass production of these technologies requires increased mining, industrial manufacturing, habitat destruction, massive greenhouse gas emissions, and the creation of toxic waste. So-called renewable energy does not even deliver on its most basic promise of reducing fossil fuel consumption. On a global scale, the energy is stacked on top of what is already being used.