After a tied 1st place in a local stunt race, two drivers start a contest to decide who of them will own the prize, a dune buggy. But when a mobster destroys the car, they are determined to get it back.
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It is the story of a young man Steve Wilson who wants to put his troubled past behind him. His passion is music and he gets a chance to hit the big time. An old friend Jack Spider recently escaped from prison, driven by greed, drags our hero back to a life he thought he had left behind. The record deal is waiting. A life saving chance for him and his daughter. Will he get there to sign up or will his worst nightmare come back to haunt him.
Sharon Stone plays a street-wise, middle-aged moll standing up against the mobs, all of which is complicated by a 6 year old urchin with a will of his own who she reluctantly takes under her wing after his family has been gunned down.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
Based on Terry Southern’s satirical novel, a send-up of Voltaire’s Candide. Young Candy is a high school girl who seeks truth and meaning in life, encountering a variety of kookie characters and humorous sexual situations in the process.
Armed with his ferociously aggressive style of comedy MADTV alum, Aries Spears, takes the stage in Philadelphia for “Comedy Blueprint”. No one, not black, not white, not gay, not straight is safe from his jokes and impressions.
Young Lucas finds out he’s not really a human after he surprisingly transforms into a monster in front of the most popular kids at school. His search for Monster Island and his real roots takes him on a fabulously scary journey that puts him face to face with more tentacles, fangs and far-out situations than he can shake one of his new wings at.
A romantic comedy full a refreshing global perspective, SIDEWALLS is director Gustavo Taretto’s clever and moving ode to the modern people and urban landscape of Buenos Aires. Martin is a neurotic web designer taking baby steps out of the isolation of his one-room apartment and his virtual reality. Mariana is an artist fresh out of a a long relationship. Her head is a mess, just like the apartment where she takes refuge. Martin and Mariana are perfect for each other– they live in the same street, in opposite buildings, but they never meet. Can the movement of a modern city of three million people bring them together?
Flint is again called out of retirement when his old boss finds that he seems to have missed 90 seconds while golfing with the president. Flint finds that the president has been replaced by an actor (Flint’s line [with a wistful look] is “An Actor as President?”) Flint finds that a group of women have banded together to take over the world through subliminal brainwashing in beauty salons they own.
Independent TV producer Shin-Hye (UHM Jung-Hwa), self-assured housewife Mi-Yeon (MOON So-Ri), and single mom Hae-Young (JO Min-Soo) are a tight-knit group of 40-something friends going through the ups and downs of their lives and loves in modern day Seoul. This racy comedy is the latest from director KWON Chil-in, known for his frank portrayals of relationships and women’s sexuality.
