John and his buddy, Jeremy are emotional criminals who know how to use a woman’s hopes and dreams for their own carnal gain. Their modus operandi: crashing weddings. Normally, they meet guests who want to toast the romantic day with a random hook-up. But when John meets Claire, he discovers what true love – and heartache – feels like.
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Jack and Jill’s Manifesto of Rules to Live By Rule 1 Be honest Rule 2 Believe in fairy tales Rule 3 Accept time as our friend Rule 4 Make sure the nooky is good Rule 5 Promote beauty. Wage a sustained campaign against ugliness Rule 6 Abandon the pursuit of happiness and its false promise Rule 7 Show compassion, except to pirates Rule 8 Less TV Rule 9 Always be willing to admit when you’re wrong
A day in Hollywood, 1972, with young people looking for the 24 hours that will change their lives. Zach will open that night for a British rocker at Whisky a Go-Go; he lives in a canyon and plays impromptu duets with a mysterious guitarist he doesn’t see. Tammy is a costume designer, open to quick sex with the various rockers she works with and loved from afar by Michael, a photographer recovering from a case of the clap. His good friend is Felix, a morose, alcoholic songwriter. On hand for comic relief is Marty Shapiro, a fast-talking record producer. Getting ready for the gig at the club, Zach’s performance, and the early-morning aftermath comprise the film.
Sarah Silverman appears before an audience in Los Angeles with several sketches, taped outside the theater, intercut into the stand-up performance. Themes include race, sex, and religion. Her comic persona is a self-centered hipster, brash and clueless about her political incorrectness. A handful of musical numbers punctuate the performance.
A meditation on love and its various incarnations, set within a community of friends in Oregon. It is described as an exploration of the magical, mysterious and sometimes painful incarnations of love.
“My Babysitter’s a Vampire,” a comedic spin on pop culture vampires and scary movies in general, tells the story of three teens who believe their new babysitter is a real bloodsucking creature of the night — and it’s now up to them to rid their sleepy little town of the menace.
Harvie is a smart but a bit too lively boy with one ambition, to finish the last level of his computer game. Once in the Gamers Hall of Fame, his absent-minded father, would finally be proud of him. But finishing the game turns out to be only the start of a real adventure that takes Harvie, his dog Jerry, and his friend Monica deep into the forgotten realms of the city’s old puppet museum.
On July 27th, university student Aoi Hinata (Miwa) has an accident. When she wakes up, Aoi Hinata finds herself in a classroom from one week before the accident. At that time, her childhood friend Riku Hasegawa (Kentaro Sakaguchi) tells her “I will tell you a secret. I can turn back time.” Aoi Hinata and Riku Hasegawa like each other, but never expressed their feelings. They share their feelings for each other and go back to one year earlier. They spend their time happily as girlfriend and boyfriend, but there is a big secret behind the time slip. In addition, July 27 is approaching.
Clark doesn’t care about you. He doesn’t care about the world. He barely cares about himself. But after an incident with an old bowl of spaghetti and a malfunctioning microwave, he becomes a superhero that can fight crime with the power of spaghetti. However, you have to pay him.
In a Brooklyn threatened by disfigurement from greedy urban developers, two young people meet in a late-night bodega. Their unexpected bond takes on a romantic tone and brings solace to these two superheroes who are powerless in the face of oppression.
“For Love or Money” is based on a novel by Zhang Xiaoxian, which tells the moving story between a fallen noble lady and a rich heir to a large company. She’s broken and has lost the direction in life, whereas he chooses a life of poverty and freedom to pursue his passion as a painter. Together, will they be able to find themselves in this world of twists and turns before it’s too late?
