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The ultimate insider’s take on today’s great directors.
Embarrassing Bodies is a British television programme broadcast by Channel 4 and made by Maverick Television since 2007. In 2011, an hour long live show was introduced, “Embarrassing Bodies: Live from the Clinic”, which makes use of Skype technology. Various spin-offs have been produced in relation to the programme to target different patients, such as Embarrassing Fat Bodies and Embarrassing Teenage Bodies. The show has a strong multiplatform presence on web and mobile.
Exploring the darkest stories from the golden age of professional wrestling and trying to find the truth at the intersection of fantasy and reality.
This series examines the nature of cuteness and how adorability helps some animal species to survive and thrive in a variety of environments.
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Experience our planet’s natural beauty and examine how climate change impacts all living creatures in this ambitious documentary of spectacular scope.
The hosts talk about the latest cars and its specifications. They review the performance of the car and also find out if it is as good as the manufacturers claim. The current hosts are Chris Evans and Matt LeBlanc with The Stig.
Delve into the delectable world of Chaoshan cuisine, explore its unique ingredients and hear the stories of the people behind its creation.
The Story of Film: An Odyssey is a documentary series about the history of film, presented on television in 15 one-hour chapters with a total length of over 900 minutes. It was directed and narrated by Mark Cousins, a film critic from Northern Ireland, based on his 2004 book The Story of Film.
The series was broadcast in September 2011 on More4, the digital television service of UK broadcaster Channel 4. The Story of Film was also featured in its entirety at the 2011 Toronto International Film Festival, and it was exhibited at the Museum of Modern Art in New York City in February 2012. It was broadcast in the United States on Turner Classic Movies beginning in September 2013.
The Telegraph headlined the series’ initial broadcast in September 2011 as the “cinematic event of the year”, describing it as “visually ensnaring and intellectually lithe, it’s at once a love letter to cinema, an unmissable masterclass, and a radical rewriting of movie history.” An Irish Times writer called the program a “landmark”.
In February 2012, A. O. Scott of The New York Times contrasted the project with its “important precursor”, Jean-Luc Godard’s Histoire du cinéma. In contrast to the Godard project, which Scott called “personal, polemical and sometimes cryptic”, Scott described Cousins’ film as “a semester-long film studies survey course compressed into 15 brisk, sometimes contentious hours” that “stands as an invigorated compendium of conventional wisdom.” He also commended its “refusal to be nostalgic”.