Will Freeman lives a charmed existence as the ultimate man-child. After writing a hit song, he was granted a life of free time, free love and freedom from financial woes. He’s single, unemployed and loving it. So imagine his surprise when Fiona, a needy single mom and her oddly charming 11-year-old son, Marcus, move in next door and disrupt his perfect world. When Marcus begins dropping by his home unannounced, Will’s not so sure about being a kid’s new best friend, until, of course, Will discovers that women find single dads irresistible. That changes everything and a deal is struck: Marcus will pretend to be Will’s son and, in return, Marcus is allowed to chill at Will’s house. Before he realizes it, Will starts to enjoy the visits and even finds himself looking out for the kid. In fact, this newfound friendship may very well teach him a thing or two that he never imagined possible – about himself and caring for others.

Once upon the 1970s, Dan Stark and his partner, Frank Savage, were big-shot Dallas detectives. So big, in fact, that they were lauded as American heroes after saving the Governor’s son. Thirty years later, Dan Stark is a washed-up detective who spends most of his time drunk or re-hashing his glory days. Dan’s new partner, Jack Bailey, is an ambitious, by-the-book and overall good detective, but is sometimes a bit too snarky for his own good. His habit of undermining himself has earned him a dead-end position in the department, and he is stuck solving annoying petty theft cases that nobody else wants. Worse, he’s been given the thankless task of babysitting Dan, the drunk pariah who can never keep partners for long.

It debuted in 1983 as the two-part television miniseries V, written and directed by Johnson. It was followed in 1984 by a three-part miniseries, V: The Final Battle, and a one-hour weekly television series, V during the 1984-85 television season.

A number of novels, comic books, video games and other media have been spun off from the franchise. Johnson’s novel V: The Second Generation, an alternative sequel to the first miniseries which disregards V: The Final Battle and V: The Series, was released on February 5, 2008. Johnson claimed he was in negotiations for a TV adaptation of his sequel novel, but in October 2008, Warner Bros. Television announced they were producing a complete remake of V instead. This new V series ran for two truncated seasons on ABC, from November 3, 2009 to March 15, 2011.

Following the fact-based historical book of the same name, this drama follows the rise of Cromwell as he becomes Henry the VIII’s closest advisor.

England in the 1520s is a heartbeat from disaster. If the King dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years and marry Anne Boleyn. The Pope and most of Europe oppose him. Into this impasse steps Thomas Cromwell: a wholly original man, a charmer, and a bully, both idealist and opportunist, astute in reading people, and implacable in his ambition. But Henry is volatile: one day tender, one day murderous. Cromwell helps him break the opposition, but what will be the price of his triumph?

Bea Smith is locked up while awaiting trial for the attempted murder of her husband and must learn how life works in prison. A modern adaptation and sequel of the iconic Prisoner series.

After a massive alien artifact lands on Earth, Niko Breckinridge leads an interstellar mission to track down its source and make first contact.

A disgraced, 75-year-old ex-sheriff, whose life ends at the hands of corrupt cops, is brought back to life and given a second chance by a pair of young tech scientists, as a 35-year-old with unpredictable near-superhuman abilities.

Follow aspiring Iraqi-Australian boxing trainer Amirah Al-Amir who has idolised her world champion father Sami her entire life. While working in the family gym in Sydney’s west alongside her two brothers, Amirah negotiates a professional debut match for her hardnosed fighter Jess O’Connor with Sami’s long-time promoter Strick. Furious that she has done this behind his back, her father threatens to cut her off. Desperate to chase her dream of transforming women’s boxing, will Amirah choose her fighter or her family?

Degrassi Junior High is a Canadian CBC Television teen drama series that was produced from 1987-1989 as part of the Degrassi series. The show followed the lives of a group of students attending the titular fictional school. Many episodes tackled difficult topics such as drug use, child abuse, teenage pregnancy, homosexuality, homophobia, racism, and divorce, and the series was acclaimed for its sensitive and realistic portrayal of the challenges of teenage life. The cast comprised mainly non-professional actors, which added to the show’s sense of realism.

The series featured many of the same actors who had starred on The Kids of Degrassi Street a few years earlier, including Stacie Mistysyn, Neil Hope, Anais Granofsky, Sarah Charlesworth and others. However, their character names and family situations had been changed, so Degrassi Junior High cannot, therefore, be considered a direct spinoff.

The legal counsel for all the episodes was Stephen Stohn who later became the executive producer of Degrassi: The Next Generation. The series was filmed at the unused Vincent Massey Public School in Etobicoke, Ontario.

As a child, Kate Ashby was rescued from the horrific aftermath of the Rwandan genocide and brought to the UK. But the tragic shadow of her past proves impossible to escape.

The story centers on a family of priests: Johannes, Elisabeth and their sons August and Christian. Johannes is God-like to his sons – he gives, loves, and punishes. His favoritism for August and his disappointment with Christian forces both into making desperate choices in order to either gain his love or break free from him.

An anthology series that delves into the players, the crime and the media circus, detailing the day-to-day battles of the trial and unveiling the shocking truth of what really went down when the cameras stopped rolling.