An FBI agent, his partner, his niece and her cowardly dog investigate supernatural phenomena.

A comedy about the wacky adventures of Giatrus and his tribe of the first human beings on the planet.

A narrative documentary news program that features one or two of the New York Times’ biggest and most important visual stories each week following the stories and the reporters that work on them every step of the way.

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Fourth-grade friends George and Harold have a shared love of pranks and comic books — and turning their principal into an undies-wearing superhero.

Dead Like Me follows a group of undead grim reapers tasked with shepherding the recently departed into the afterlife.

Andy is a dissolute out-of work musician who forges an unlikely alliance with his 12-year-old nephew Errol after being morally blackmailed into looking after him by his chaotic sister Sam – all on the day Andy was planning to kill himself. Not a natural with either kids or responsibility, he tries to keep his new charge out of trouble while being knee-deep in it himself.

This is the story of Tooru Kokonoe who has enrolled at Kouryou Academy, a school which trains students in wielding Blaze, soul powered weapons to prepare them for the Dorn Agency’s special peacekeeping corps. When Tooru is partnered with a mysterious girl: Julie Sigtuna, he finds he has to overcome many hurdles to ensure their teamwork and fighting skills are up to par for the duration of their training.

Disney’s Adventures of the Gummi Bears is a Disney animated television series that first aired in the United States in the mid-1980s through the early 1990s. The series was the first animated production by Walt Disney Animation Television, and loosely inspired by the gummi bear candies; Disney CEO Michael Eisner was struck with inspiration for the show when his son requested the candies one day. The series premiered on NBC on September 14, 1985, and aired there for four seasons. The series moved to ABC for one season from 1989 to 1990, and concluded on September 6, 1991 as part of the Disney Afternoon television syndication package. Of the series’ 65 shows, 30 were double-features, consisting of two 11-minute cartoons, thereby bringing the series total to 94 distinct episodes overall. The show is well-remembered for its theme music, written by Michael and Patty Silversher and creation of “gummiberry juice” which was a topic of magic potion, gaining abilities to defend them against the foes.

The series was later rebroadcast on the syndicated Disney Afternoon block, and rerun on the Disney Afternoon through the summer of 1991. In later years, it was shown on the Disney Channel and Toon Disney, with its most recent televised airing occurring on Toon Disney on December 28, 2001. Seasons 1 to 3 of the series were released on DVD on November 14, 2006.

The Marvelous Misadventures of Flapjack is an American animated television series created by Thurop Van Orman for Cartoon Network that premiered on June 5, 2008, and ended on August 30, 2010. On April 20, 2012, this series returned to Cartoon Network to show re-runs on the revived block, “Cartoon Planet”.

Damien Trench is a neurotic cookery writer, living in Queen’s Park with his partner, Anthony.

The show focuses on Damien and everything that happens to him both in and out of the kitchen, ‘no matter how grizzly, or indeed, how gristly’, as he writes his latest book, a diary of his life and culinary habits called In and Out of the Kitchen.

Each episode follows a few days in the life of Damien and his partner Anthony, their seemingly ever-present builders Mr Mullaney and Steven, and Damien’s terrifying agent Iain.

Damien longs for a quiet life contemplating good food but also longs for perfection in all things, and his life has a habit of never quite working out the way he wants it to. While Damien’s recipes always go to plan, his life never does…

An animated comedy focusing on the downtrodden creatures native to Earth’s least-habitable environment: New York City. Whether it’s lovelorn rats, gender-questioning pigeons or aging bedbugs in the midst of a midlife crisis, the awkward small talk, moral ambiguity and existential woes of non-human urbanites prove startlingly similar to our own.