Modern Family stars the Pritchett-Dunphy-Tucker clan, a wonderfully large and blended family. Together these three families give us an honest and often hilarious look into the sometimes warm, sometimes twisted, embrace of the modern family.
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The story follows Eren Yeager and Mikasa Ackerman entering Titan Jr. High, a school where humans and Titans study in the same area in coexistence. Because of a “traumatic” event, where the Colossal Titan ate his lunch back in middle school, Eren hates the Titans, and is constantly trying to find a way to rid the earth of their kind. Because of this, he has a hard time making friends, much to Mikasa’s worry.
Through the prism of Jeff Goldblum’s always inquisitive and highly entertaining mind, nothing is as it seems. Each episode is centered around something we all love — like sneakers or ice cream — as Jeff pulls the thread on these deceptively familiar objects and unravels a wonderful world of astonishing connections, fascinating science and history, amazing people, and a whole lot of surprising big ideas and insights.
A behind the scenes look at a half-hour hybrid comedy/talk aftershow dedicated to exploring the fandom surrounding “The Flare,” a fictional sci-fi thriller drama. A satire on the glut of aftershows and the big genre dramas they follow.
AfterMASH is an American situation comedy that aired on CBS from September 26, 1983, to December 11, 1984. A spin-off of the series M*A*S*H, the show takes place immediately following the end of the Korean War and chronicles the adventures of three characters from the original series: Colonel Potter, Klinger and Father Mulcahy. M*A*S*H supporting cast-member Kellye Nakahara joined them, albeit off-camera, as the voice of the hospital’s public address system. Rosalind Chao rounded out the starring cast as Soon-Lee Klinger, a Korean refugee whom Klinger met, fell in love with and married in the M*A*S*H series finale “Goodbye, Farewell and Amen.”
AfterMASH premiered in the fall of 1983 in the same Monday night 9:00 P.M. EST. time slot as its predecessor M*A*S*H. It finished 10th out of all network shows for the 1983-1984 season according to Nielsen Media Research television ratings. For its second season CBS moved the show to Tuesday nights at 8:00 EST., opposite NBC’s top ten hit The A-Team, and launched a marketing campaign featuring illustrations by Sanford Kossin of Max Klinger in a nurse’s uniform, shaving off Mr. T’s signature mohawk, theorizing that AfterMASH would take a large portion of The A-Team’s audience. The theory, however, was proven wrong. In fact, the exact opposite occurred, as AfterMASH’s ratings plummeted to near the bottom of the television rankings and the show was canceled nine episodes into its second season, while The A-Team continued until 1987, with 97 episodes.
In this comedy series, comic actor Rob Riggle stars as washed-up action star Rob Riggle, who is looking to change the world through “personal watercraft education.” He has invested all of his money and reputation into an academy that celebrates what he feels is America’s truest art form. Riggle, legendary stunt man commandant Dirk Hamsteak and the rest of the instructors spend the semester defending their beloved academy at all costs — no matter how many people criticize it, go missing or die. The series features a lineup of guest stars that includes Paul Scheer, Cheech Marin, David Arquette and Dermot Mulroney.
Leave It to Beaver is an American television situation comedy about an inquisitive and often naïve boy named Theodore “The Beaver” Cleaver and his adventures at home, in school, and around his suburban neighborhood. The show also starred Barbara Billingsley and Hugh Beaumont as Beaver’s parents, June and Ward Cleaver, and Tony Dow as Beaver’s brother Wally. The show has attained an iconic status in the US, with the Cleavers exemplifying the idealized suburban family of the mid-20th century.
The show was created by writers Joe Connelly and Bob Mosher. These veterans of radio and early television found inspiration for the show’s characters, plots, and dialogue in the lives, experiences, and conversations of their own children. Leave It to Beaver is one of the first primetime sitcom series written from a child’s point-of-view. Like several television dramas and sitcoms of the late 1950s and early 1960s, Leave It to Beaver is a glimpse at middle-class, white American boyhood. In a typical episode Beaver got into some sort of trouble, then faced his parents for reprimand and correction. However, neither parent was omniscient; indeed, the series often showed the parents debating their approach to child rearing, and some episodes were built around parental gaffes.
Jim Jefferies, an edgy, foul-mouthed stand-up comedian from Australia, in his mid-30s and living in LA, is endeavoring to make his life and career more “legit,” only to find it a difficult, uncomfortable uphill struggle every step of the way. Jim is encouraged in his quest by Steve, his neurotic best friend and roommate, a cyber-law library salesman who struggles to stay on his feet in the wake of a divorce, and Steve’s brother Billy, who suffers from advanced staged Muscular Dystrophy and is confined to a wheelchair.
Meet The Thundermans, a typical suburban family that happens to have astounding superpowers. At the center of the action are the 14-year-old Thunderman twins, who share the same bathroom, the same school, and the same annoying little siblings. Their only difference? The sister is a super student with a super sunny disposition who super looks forward to being a superhero someday, and her twin brother is a super villain.