The Border is a Canadian drama that aired on CBC Television and 20 other TV networks worldwide. It was created by Peter Raymont, Lindalee Tracey, Janet MacLean and Jeremy Hole of White Pine Pictures. The Executive in Charge of Production is Janice Dawe. Episodes in the first season were directed by John Fawcett, Michael DeCarlo, Ken Girotti, Kelly Makin, Brett Sullivan and Philip Earnshaw. The first season had a total budget of 20 million dollars, with about 1.5 million dollars per episode.
The series is set in Toronto and follows agents of the fictitious Immigration and Customs Security agency. ICS was created by the Government of Canada to deal with trans-border matters concerning Canadian national security including terrorism and smuggling.
The cancellation of The Border was announced by the CBC after three seasons were aired.
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Cameron Black is the world’s greatest illusionist. At least, that’s what people used to call him – before his greatest secret was exposed and his career destroyed. Even worse, Cameron has good reason to believe this was no accident
When an insidious supernatural force edges its way into a seemingly straightforward investigation into the gruesome murder of a young boy, it leads a seasoned cop and an unorthodox investigator to question everything they believe in.
Naota is a normal Japanese 6th grade boy (although a little cynical), but when his older brother leaves for America to play baseball, his brother leaves his 17 year old girlfriend Mamimi behind. Mamimi is sending mixed signals and advances to Naota, and he doesn’t know what to do about her. But to make matters worse, Naota’s world is totally turned upside down when he is run over by a woman on a Vespa. During their first encounter, she hits him over the head with her guitar, which then causes a horn to grow out of his forehead. She calls herself “Haruko” and her presence changes Naota’s life to even further insanity
Detectives Tori Lustigman and Nick Manning are assigned a brutal murder case in Bondi, where they begin to uncover mounting evidence to suggest the killing is connected to a spate of unexplained deaths, “suicides” and disappearances throughout the 80s and 90s. Haunted by the disappearance of her teenage brother, Tori’s fascination with the case soon turns to fixation. When more ritualistic murders occur with the same bizarre signature, Tori and Nick will need to put their relationships, their careers and their lives on the line to finally reveal the truth.
The orphaned Baudelaire children face trials, tribulations and the evil Count Olaf, all in their quest to uncover the secret of their parents’ death.
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