RAGAMUFFIN is based on the true story of Rich Mullins, a musical prodigy who rose to Christian music fame and fortune only to walk away and live on a Navajo reservation. An artistic genius raised on a tree farm in Indiana by a weathered, callous father, Rich wrestled all of his life with the brokenness and crippling insecurity born of his childhood. A lover of Jesus and a rebel in the church, Rich refused to let his struggles with alcoholism, addiction and women tear him away from a God he was determined to love. As he struggled with success in Nashville, depression in Wichita, and oblivion in the Four Corners, Rich became one of the first of his time to live honestly amidst a culture of religion and conformity.

A taciturn loner and skilled cook has traveled west and joined a group of fur trappers in Oregon Territory, though he only finds true connection with a Chinese immigrant also seeking his fortune; soon the two collaborate on a successful business, although its longevity is reliant upon the clandestine participation of a nearby wealthy landowner’s prized milking cow.

On the beaches of Kenya they’re known as “Sugar Mamas” — European women who seek out African boys selling love to earn a living. Teresa, a 50-year-old Austrian and mother of a daughter entering puberty, travels to this vacation paradise. She goes from one Beach Boy to the next, from one disappointment to the next and finally she must recognize: On the beaches of Kenya love is a business.

A conflicted young couple, a poly amorous trio trying to dig a hole, and a mysterious recluse spin a tale of love, murder and madness.

Nicole and Mark get engaged, but his stepsister believes she has a claim on him and is willing to do anything to be his bride.

A couple try to leave the Communist party after a murder by the group they were once loyal to.

After his mother’s sudden death, a young boy disappears into the deep woods of upstate New York and takes up with an unpredictable and mysterious drifter.

After the closure of their shipyard in Northern Spain, a few former workers: Santa, José, Lino, Amador, Sergei and Reina keep in touch. They meet mainly at a bar owned by their former colleague Rico. Santa is the most superficially confident and the unofficial leader of the group. A court case hangs over him relating to a shipyard lamp he smashed during protest against the closure. José is bitter that his wife, Ana, is employed when he is not. The gap between them is widening and he is fearful that she will leave him for a co-worker. Despite arthritic legs, Ana endures night shifts at a fish factory and thinks her looks are now lost. Not everyone seems to agree including her boss. Lino, an aging family man doggedly pursuing positions beyond his qualifications. The oldest member of the group, Amador, has degenerated into alcoholism after being abandoned by his wife; maintaining an increasingly transparent pretense that his wife will soon return from holiday.

Ben is a brain damaged young man who awakens from a violent accident to a restored intellect and supernatural abilities, which allow him to control the happenings of his world.

In this third remake of legendary Japanese director Akira Kurosawa’s hugely influential The Seven Samurai, the seven gunslingers (George Kennedy, Michael Ansara, Joe Don Baker, Bernie Casey, Monte Markham, Fernando Rey and Reni Santoni) liberate Mexican political prisoners, train them as fighters and assist them in a desperate attack on a Mexican fortress in an attempt to free a revolutionary leader.

After a breakup with her boyfriend, a young woman moves in with her older brother, his wife, and their 2-year-old son.

Incontrol follows a group of university students who discover a device that allows them to take control of others, and experience the world through someone else. As they push the machine’s abilities to its limits, they begin to question the device itself.