This epic, action-packed Western tells the incredible true story of Bass Reeves, the first black marshal in the Wild West. Having escaped from slavery after the Civil War, he arrives in Arkansas seeking a job with the law. To prove himself, he must hunt down a deadly outlaw with the help of a grizzled journeyman. As he chases the criminal deeper into the Cherokee Nation, Reeves must not only dodge bullets, but severe discrimination in hopes of earning his star–and cement his place as a cowboy legend.
Pan Xiao, a young lawyer, goes to a rural small village settled in the western desert lands of China to handle the case of a falcon poacher who has ran over a policeman. Pan wins the case through sophisticated reasoning and forces the poacher to give him his car as a reward. Then, he just drives back home, but the return will not be an easy one.
Harvard graduate James Averill (Kris Kristofferson) is the sheriff of prosperous Jackson County, Wyo., when a battle erupts between the area’s poverty-stricken immigrants and its wealthy cattle farmers. The politically connected ranch owners fight the immigrants with the help of Nathan Champion (Christopher Walken), a mercenary competing with Averill for the love of local madam Ella Watson (Isabelle Huppert). As the struggle escalates, Averill and Champion begin to question their decisions.
Set against the badlands of colonial Australia where the English rule with a bloody fist and the Irish endure, Ned Kelly discovers he comes from a line of Irish rebels called the Sons of Sieve, an uncompromising army of cross dressing bandits immortalized for terrorizing their oppressors back in Ireland. Nurtured by the notorious bushranger Harry Power (Russell Crowe) and fueled by the unfair arrest of his mother, Ned Kelly recruits a wild bunch of warriors to plot one of the most audacious attacks of anarchy and rebellion the country has ever seen.
The year is 1949. A young Texan named John Grady finds himself without a home after his mother sells the ranch where he has spent his entire life. Lured south of the border by the romance of cowboy life and the promise of a fresh start, Cole and his pal embark on an adventure that will test their resilience, define their maturity, and change their lives forever.
Adapted freely from the classic novella ‘The Mysterious Stranger’ by Mark Twain; Day of the Stranger revives the tradition of the acid western of the 1970’s. Caine Farrowood is a bounty hunter who works under the control of ruthless kingpin Loomweather. One day a bounty retrieval goes awry and Caine is left for dead. Just when he thinks his life is over he mysteriously awakens back home to the comforts of his wife Christina. Baffled and confused by how he got home Caine insists on finding answers, but before long he is enlisted in the retrieval of another bounty. This one is huge and may cost Caine not his life, but his sanity when he finds himself pitted against somebody who may very well be the fallen angel himself.
Winter 1839. LIBERTY, MISSOURI. Local jailer, Samuel Tillery is tasked with watching Missouri’s most wanted men as they await their upcoming hearing. Caught between the local Missourians’ increased drive to remove the prisoners, and the prisoners’ desperate efforts to survive, Tillery is pushed beyond what any lawman can endure. Based on actual recorded accounts, OUT OF LIBERTY is an intense, evocative western, with an outcome you have to see to believe.
Bacurau, a small town in the Brazilian sertão, mourns the loss of its matriarch, Carmelita, who lived to be 94. Days later, its inhabitants notice that their community has vanished from most maps.
This film adaptation of Irving Berlin’s classic musical stars Betty Hutton as gunslinger Annie Oakley, who romances fellow sharpshooter Frank Butler (Howard Keel) as they travel with Buffalo Bill’s Wild West Show. Previously off target when it comes to love, Annie proves you can get a man with a gun in this battle-of-the-sexes extravaganza, which features timeless numbers like “Anything You Can Do” and “There’s No Business Like Show Business.”
Two peanut vendors at a rodeo show get in trouble with their boss and hide out on a railroad train heading west. They get jobs as cowboys on a dude ranch, despite the fact that neither of them knows anything about cowboys, horses, or anything else.
Chester Wooley (Lou Costello) and Duke Egan (Bud Abbott) are traveling salesmen who make a stopover in Wagon Gap, Montana while enroute to California. During the stopover, a notorious criminal, Fred Hawkins, is murdered, and the two are charged with the crime.
Just as Fritz Lang’s Metropolis (1927) is testimony to German silent film art, The Story of the Kelly Gang (1906) symbolises both the birth of the Australian film industry and the emergence of an Australian identity. Even more significantly it heralds the emergence of the feature film format. The Story of the Kelly Gang, directed by Charles Tait in 1906, is the first full-length narrative feature film produced anywhere in the world. Only fragments of the original production of more than one hour are known to exist and are preserved at the National Film and Sound Archive, Canberra. (unesco.org)
A renowned former army scout is hired by ranchers to hunt down rustlers but finds himself on trial for the murder of a boy when he carries out his job too well. Tom Horn finds that the simple skills he knows are of no help in dealing with the ambitions of ranchers and corrupt officials as progress marches over him and the old west.
Maverick is an American Western television series with comedic overtones created by Roy Huggins. The show ran from September 22, 1957 to July 8, 1962 on ABC and stars James Garner as Bret Maverick, an adroitly articulate cardsharp. Eight episodes into the first season, he was joined by Jack Kelly as his brother Bart, and from that point on, Garner and Kelly alternated leads from week to week, sometimes teaming up for the occasional two-brother episode. The Mavericks were poker players from Texas who traveled all over the American Old West and on Mississippi riverboats, constantly getting into and out of life-threatening trouble of one sort or another, usually involving money, women, or both. They would typically find themselves weighing a financial windfall against a moral dilemma. More often than not, their consciences trumped their wallets since both Mavericks were intensely ethical.
When Garner left the series after the third season due to a legal dispute, Roger Moore was added to the cast as their cousin Beau Maverick. Robert Colbert appeared later in the fourth season as a third Maverick brother, Brent Maverick. No more than two of the series leads ever appeared together in the same episode, and usually only one.
Daniel Boone is an American action-adventure television series starring Fess Parker as Daniel Boone that aired from September 24, 1964 to September 10, 1970 on NBC for 165 episodes, and was made by 20th Century Fox Television. Ed Ames co-starred as Mingo, Boone’s Cherokee friend, for the first four seasons of the series. Albert Salmi portrayed Boone’s companion Yadkin in season one only. Dallas McKennon portrayed innkeeper Cincinnatus. Country Western singer-actor Jimmy Dean was a featured actor as Josh Clements during the 1968–1970 seasons. Actor and former NFL football player Rosey Grier made regular appearances as Gabe Cooper in the 1969 to 1970 season. The show was broadcast “in living color” beginning in fall 1965, the second season, and was shot entirely in California and Kanab, Utah.
An intimate story of the enduring bond of friendship between two hard-living men, set against a sweeping backdrop: the American West, post-World War II, in its twilight. Pete and Big Boy are masters of the prairie, but ultimately face trickier terrain: the human heart.
Mary Rutledge arrives from the east, finds her fiance dead, and goes to work at the roulette wheel of Louis Charnalis’ Bella Donna, a rowdy gambling house in San Francisco in the 1850s. She falls in love with miner Carmichael and takes his gold dust at the wheel. She goes after him, Louis goes after her with intent to harm Carmichael.
Master gunslinger Sabata arrives in Hobsonville, a town completely owned by McIntock, a robber baron who is taxing the inhabitants for the cost of future improvements to the town. Or that’s what McIntock says he’ll do with the money…
Wagon Train is an American Western series that ran on NBC from 1957–62 and then on ABC from 1962–65, although the network also aired daytime repeats, as Major Adams, Trailmaster and Trailmaster, from January 1963 to September 1965. The show debuted at #15 in the Nielsen ratings, rose to #2 in the next three seasons, and peaked at #1 in the 1961–62 television season. After moving to ABC in the autumn of 1962, the ratings began to decline, and Wagon Train did not again make the Top 20 listing.
The series initially starred veteran movie supporting actor Ward Bond as the wagon master, later replaced upon his death by John McIntire, and Robert Horton as the scout, subsequently replaced by lookalike Robert Fuller a year after Horton had decided to leave the series.
The series was inspired by the 1950 film Wagon Master directed by John Ford and starring Ben Johnson, Harry Carey Jr. and Ward Bond, and harkens back to the early widescreen wagon train epic The Big Trail starring John Wayne and featuring Bond in his first major screen appearance playing a supporting role. Horton’s buckskin outfit as the scout in the first season of the television series resembles Wayne’s, who also played the wagon train’s scout in the earlier film.
The movie depicts a fictionalized account of “The Bascom Affair” of 1861 and “The battle of Apache pass” of 1862. U.S. Cavalry officer Maj. Jim Colton(John Lund) is a sympathetic leader who has a working relationship with Apache leader Cochise(Jeff Chandler). Maj. Colton is undermined by corrupt and politically ambitious Indian agent Neil Baylor(Bruce Cowling) who sets up a false attack, and the abduction of a local farmer’s son. While Colton is away investigating the matter, Baylor convinces Lt. George Bascom(John Hudson) that Cochise’s band is to blame, and incites him to lead an expedition against the Apache band to return the boy. The expedition ends in disaster, with hostages executed on both sides. The Apaches and Cavalry later meet in a battle at Apache pass, the first time that the Indians meet modern (for the age) artillery
A movie company comes to Oklahoma to convince legendary lawmen Bill Tilghman to star in a bank robbery silent film featuring real outlaws. Tilghman reluctantly agrees, not realizing everyone’s lives will never be the same.