Set in a geriatric extended care wing of a down-at-the-heels hospital, Getting On follows put-upon nurses, anxious doctors and administrators as they struggle with the darkly comic, brutally honest and quietly compassionate realities of caring for the elderly.
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Tales from the Crypt, sometimes titled HBO’s Tales from the Crypt, is an American horror anthology television series that ran from June 10, 1989 to July 19, 1996 on the premium cable channel HBO for seven seasons with a total of 93 episodes. The title is based on the 1950s EC Comics series of the same name and most of the content originated in that comic or the four other EC Comics of the time. The show was produced by HBO with uncredited association by The Geffen Film Company and Warner Bros. Television. The series is not to be confused with the 1972 film by the same name or Tales from the Darkside, another similarly themed horror anthology series.
Because it was aired on HBO, a premium cable television channel, it was one of the few anthology series to be allowed to have full freedom from censorship by network standards and practices as a result, HBO allowed the series to contain graphic violence as well as other content that had not appeared in most television series up to that time, such as profanity, gore, nudity and sexual situations, which could give the series a TV-MA rating for today’s standards. The show is subsequently edited for such content when broadcast in syndication or on basic cable. While the series began production in the United States, in the final season filming moved to Britain, resulting in episodes which revolved around British characters.
In his funky California beach enclave, Chip’s the go-to guy for personal insights. But he isn’t quite as enlightened when it comes to his own baggage.
Mongrels, formerly known under the working titles of We Are Mongrels and The Un-Natural World, is a British puppet-based situation comedy series first broadcast on BBC Three between 22 June and 10 August 2010, with a making-of documentary entitled “Mongrels Uncovered” broadcast on 11 August 2010. A second series of Mongrels began airing on 7 November 2011.
The series revolves around the lives of five anthropomorphic animals who hang around the back of a pub in Millwall, the Isle of Dogs, London. The characters are Nelson, a metrosexual fox; Destiny, an Afghan hound; Marion, a “borderline-retarded” cat; Kali, a grudge-bearing pigeon; and Vince, Nelson’s friend, a sociopathic foul-mouthed fox.
The show is aimed at an adult audience, features “neutering, incontinence, cannibalism and catnip overdoses” and humour styles such as slapstick and farce. For example, the first episode begins with a scene in which Marion, portrayed as desperately trying to revive his deceased owner, learns she has actually been dead for four months, whereupon he casually gives his cat friends permission to eat her. Mongrels has attracted accusations of plagiarism, with claims that Mongrels stole ideas from a similar Channel 4 show called Pets.
The best bar in San Diego is an unlicensed, makeshift bar nestled in Abby’s backyard. There are rules at Abby’s: no cell phones, not even to “look something up,” earning a seat at the bar takes time, and losing a challenge means drinking a limey, sugary “not-beer” drink.
AfterMASH is an American situation comedy that aired on CBS from September 26, 1983, to December 11, 1984. A spin-off of the series M*A*S*H, the show takes place immediately following the end of the Korean War and chronicles the adventures of three characters from the original series: Colonel Potter, Klinger and Father Mulcahy. M*A*S*H supporting cast-member Kellye Nakahara joined them, albeit off-camera, as the voice of the hospital’s public address system. Rosalind Chao rounded out the starring cast as Soon-Lee Klinger, a Korean refugee whom Klinger met, fell in love with and married in the M*A*S*H series finale “Goodbye, Farewell and Amen.”
AfterMASH premiered in the fall of 1983 in the same Monday night 9:00 P.M. EST. time slot as its predecessor M*A*S*H. It finished 10th out of all network shows for the 1983-1984 season according to Nielsen Media Research television ratings. For its second season CBS moved the show to Tuesday nights at 8:00 EST., opposite NBC’s top ten hit The A-Team, and launched a marketing campaign featuring illustrations by Sanford Kossin of Max Klinger in a nurse’s uniform, shaving off Mr. T’s signature mohawk, theorizing that AfterMASH would take a large portion of The A-Team’s audience. The theory, however, was proven wrong. In fact, the exact opposite occurred, as AfterMASH’s ratings plummeted to near the bottom of the television rankings and the show was canceled nine episodes into its second season, while The A-Team continued until 1987, with 97 episodes.
Drawn Together is an American adult animated sitcom, which ran on Comedy Central from October 27, 2004 to November 14, 2007. The series was created by Dave Jeser and Matt Silverstein, and uses a sitcom format with a TV reality show setting.
Like that of MTV’s The Challenge and VH1’s The Surreal Life, the show’s eight characters are a combination of personalities that were recognizable and familiar prior to the series. Differently, however, Drawn Together used caricatures of established cartoon characters and stock characters. In addition, their character traits parody personality types that are typically seen in reality TV shows.
Comedy Central advertised it as the first animated reality show, and in some episodes, characters participate in challenges that are similar to reality TV challenges.
After only three seasons the show was cancelled but still maintains a strong fan base. Subsequently, The Drawn Together Movie: The Movie! was released on April 20, 2010.
Three women living in three different decades: a housewife in the ’60s, a socialite in the ’80s and a lawyer in 2018, deal with infidelity in their marriages.
Maya DiMeo is a mom on a mission who will do anything for her husband, Jimmy, and kids Ray, Dylan, and JJ, her eldest son with special needs. As Maya fights injustices both real and imagined, the family works to make a new home for themselves and searches for just the right person to give JJ his “voice.”
