Depicts the trials and tribulations of four men who work at Laurel Tree Tailor Shop.

Twenty years old and from Leicester, Nina moves to North London in 1982, to care for the two young boys of a working single mother, George, the editor of a London literary review.

When archaeologist Shirley Yang learns of her father’s disappearance, she returns to China and enlists the help of tomb raiders to track him down.

As the world is in the middle of an industrial revolution, a monster appears that cannot be defeated unless its heart, which is protected by a layer of iron, is pierced. By infecting humans with its bite, the monster can create aggressive and undead creatures known as Kabane. On the island Hinomoto, located in the far east, people have built stations to shelter themselves from these creatures. People access the station, as well as transport wares between them, with the help of a locomotive running on steam, called Hayajiro. Ikoma, a boy who lives in the Aragane station and helps to build Hayajiro, creates his own weapon called Tsuranukizutsu in order to defeat the creatures. One day, as he waits for an opportunity to use his weapon, he meets a girl named Mumei, who is excused from the mandatory Kabane inspection. During the night, Ikuma meets Mumei again as he sees Hayajiro going out of control. The staff on the locomotive has turned into the creatures. The station, now under attack by Kabane, is the opportunity Ikoma has been looking for.

It’s about a love story between a gifted singer-songwriter Woo Joo (Soo Ho) and Byul (Ji Woo), a 19 years old student who turned into a grim reaper after dying from an accident.

Michael lives in two separate realities after a car accident. In one reality, his wife Hannah survives the accident; in the other reality, his son Rex survives. Michael does not know which reality is “real”, and uses the wristbands to differentiate the two. He sees two therapists: Dr. Jonathan Lee in the “red reality” and Dr. Judith Evans in the “green reality”. At work, Michael’s erratic behavior triggers clashes with his team; they do not know about Michael’s uncanny ability to solve crimes using details from both realities.

Before Spartacus struck down his first opponent in the arena, there were many gladiators who passed through the gates onto the sand.’Spartacus: Gods of the Arena’ tells the story of the original Champion of the House of Batiatus: Gannicus, in a more ruthless time before Spartacus’ arrival where honor was just finding its way into the arena.

The exploits of the Los Angeles–based Office of Special Projects (OSP), an elite division of the Naval Criminal Investigative Service that specializes in undercover assignments.

Set against the backdrop of the Wars of the Roses, the series is the story of the women caught up in the protracted conflict for the throne of England.

The lives and cases of young lawyers who work on opposite sides – the public defender’s office and the district attorney’s office – as well as those who sit in judgment on their cases.

Vera, a mother of two children, is left by her husband and looses her job all at once. She gets a job offer in another town, grabs her children and their belongings and moves there for a fresh new start in life. Before she gets there she hits a boy with her car. In chock, she assumes the boy to be dead. But is it really Vera who killed him?

Spooks: Code 9 is a counter-intelligence drama series broadcast on BBC Three in 2008.

The series was commissioned by BBC Fiction’s controller Jane Tranter as a spin-off of their long-running drama Spooks, offering a “more maverick, younger perspective” that would attract a 16-24-year-old audience. The series follows a group of six new young MI5 recruits who “follow a different rule book”. It was produced by the independent production company Kudos and was filmed in and around Leeds and Bradford. The first two episodes were broadcast on BBC Three on 10 August 2008 and repeated on the same channel on 11 August 2008.

The decision to relate the new project to the original Spooks was controversial, with actor Georgia Moffett saying “it’s slightly misleading in terms of the word Spooks.” and producer Chris Fry saying “this is a completely new show. There are no crossover characters or storylines and, most importantly, it is set in a completely new world.” After the relatively unsuccessful first series, executive producer Karen Wilson claimed that many of the existing cast members were “contracted for another year” and outlined themes “we’d like to explore if we get a second series.”