Girl Lost tackles the issue of underage prostitution as told through the eyes of a wayward teen. Groomed by her own mother to work in the underbelly of Los Angeles, the young girl struggles to survive in this dark world.

This is a story about a romantic journey of a culturally opposite couple – Krish Malhotra and Ananya Swaminathan. They meet at the IIM-Ahmedabad College and during the program they fall in love. Complications arise after the program comes to an end and they decide to get married. Krish and Ananya belong to two different states of India. Krish, a North Indian Punjabi boy from Delhi, and Ananya, a Tamilian Brahmin from Chennai. They take a conscious decision; they won’t get married until their parents agree. Everything goes downhill when the parents meet. There is a cultural clash and the parents oppose the wedding. To convert their love story into a love marriage, the couple faces a tough battle in front of them. For it is easy to fight and rebel, but much harder to convince. Will Krish and Ananya’s love for each other sustain the battles? Will they manage to convince their parents and make it to their wedding? The film thus is a humorous take on inter community marriages in India.

Recovering from an ill-fated affair with a married man, Gabe finds solace in the relationship he maintains with his ex-wife and daughter. On the other side of town, Ernesto evades life at home with his current live-in ex-boyfriend by spending much of his spare time in the hospital with an ailing past love. Impervious to the monotony of their blue-collar world, they maintain an unwavering yearning for romance. The emotional isolation the two men have grown accustomed to is captured in a subtle, optimistic, poetic fashion while avoiding melodrama.

In a society grappling with its communist past and European present, both the cultural elite and disenfranchised young men see forces of darkness descending over Europe. And then there are those who benefit from the inevitable clashes and ensuing chaos, like disgraced law student Tomek (Maciej Musiałowski) who’s desperately trying to get the attention of childhood friend Gabi (Vanessa Alexander) and the respect of her progressive family. Taking a job at a high-profile but amoral PR company to impress Gabi, Tomek soon finds that he excels at the dirty political games that he is asked to orchestrate on social media. But there’s a human price to his meddling. As Tomek gets sucked in deeper, his humanity slowly drains away, and it becomes less clear what the end game is.

A legendary Native American-hating Army captain nearing retirement in 1892 is given one last assignment: to escort a Cheyenne chief and his family through dangerous territory back to his Montana reservation.

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My Autopsy is a story of the progression of a woman’s strength as she journeys to escape the invisible chains of a past abusive relationship.

1930s Hollywood is reevaluated through the eyes of scathing social critic and alcoholic screenwriter Herman J. Mankiewicz as he races to finish the screenplay of Citizen Kane.

Back to Berlin is the first biker flick-meets-holocaust feature documentary. Eleven motor bikers have a mission to take the Maccabiah torch from Israel to the site of the infamous 1936 Berlin Olympics, for the first Jewish Olympic Games on German soil. They will retrace the heroic journeys of the original 1930s’ Maccabiah riders and discover how they or their families survived the Holocaust.

With Christmas approaching, life appears to be good for Tom, an ex-Olympic hockey star, and his girlfriend, Jenny, a firefighter — at least until Mary, a former Olympic figure skater, Tom’s soon-to-be ex-wife and the author of a book of tips on relationships, is convinced that appearing to be still happy with Tom will help sell her book. Tom’s strong desire to spend the holidays with his and Mary’s daughter provides a test of true love and, ultimately, reveals who the true heroes are.

Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanja at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.

To escape her abusive boyfriend, Kat joins a wilderness expedition with a group of women, all of whom are struggling with the uncertainty of life. What was supposed to be an opportunity for personal discovery quickly becomes a fight for survival, forcing each one to discover the strength within themselves that they didn’t even know they possessed. While being brazenly chased by a pack of predators, the strong quickly set themselves apart from the weak. In a battle of will, stamina, and heart, these very virtues present themselves at the most crucial moment. With death looming, each is left with what is truly important – the strength within oneself.