11-year-old Misha is coming from Russia to Athens during the 2004 Olympic Games to live with his mother. He does not know there is a father waiting for him.

Paris, France, early 19th century. The legendary convict François Vidocq lives in disguise trying to escape from a tragic past that torments him. When, after an unfortunate event, he crosses paths with the police chief, he makes a bold decision that will turn the ruthless mastermind of the Parisian underworld against him.

Andie is an outcast, hanging out either with her older boss, who owns the record store where she works, or her quirky high school classmate Duckie, who has a crush on her. When one of the rich and popular kids at school, Blane, asks Andie out, it seems too good to be true. As Andie starts falling for Blane, she begins to realize that dating someone from a different social sphere is not easy.

Painter Youngsoo (Kim Joo-hyuk) hears secondhand that his girlfriend, Minjung (Lee Yoo-young), has recently had (many) drinks with an unknown man. This leads to a quarrel that seems to end their relationship. The next day, Youngsoo sets out in search of her, at the same time that Minjung—or a woman who looks exactly like her and may or may not be her twin—has a series of encounters with strange men, some of whom claim to have met her before.

The final night’s work approaches for the staff of an insane asylum. A minimal crew of security and researchers remain to ensure the patients behave as expected before their transfers to a maximum security prison. Struggling with memories of abandonment, Dr. Helen Kingford finds herself on the brink of quitting her job as a psychologist. Following his forced retirement, the hospital’s head of security decides on a destabilizing course of action leading to chaos and destruction within the asylum. In the confusion, all of the dangerous patients escape their padded cells. Confused, Dr. Kingford awakens finding herself tied up in the hospital morgue. Not knowing who to trust, she finds herself running from everyone in an attempt to survive.

Hyo-joo, an untenured instructor at a boys’ high school is assigned to a class of seniors as a HR teacher. She notices that a specialized dance student Jae-ha is absent from the self-study session, and finds him practicing refined dance movements in the gym. The next day Hae-young, the school board chairman’s daughter arrives as a tenured instructor, which was the position assumed to be offered to Hyo-joo soon. Hae-young, sweet and having grown up with no worries, treats Hyo-joo with affection, but Hyo-joo only gives her the cold shoulder. Then one day, Hyo-joo witnesses Hae-young and Jae-ha in the gym, having sex, and from that moment on, she starts feeling an inexplicable sense of humiliation towards Hae-young while gradually falling under the influence of Jae-ha’s elusive charm.

A young man (Cruise) leaves Ireland with his landlord’s daughter (Kidman) after some trouble with her father, and they dream of owning land at the big giveaway in Oklahoma ca. 1893. When they get to the new land, they find jobs and begin saving money. The man becomes a local barehands boxer, and rides in glory until he is beaten, then his employers steal all the couple’s money and they must fight off starvation in the winter, and try to keep their dream of owning land alive. Meanwhile, the woman’s parents find out where she has gone and have come to America to find her and take her back.

According to the police, Negar’s father committed suicide. Having had a happy life, Negar suspects that his death has not happened the way it seems. She starts unfolding the truth through an unconventional investigation.

The O’Neills lived happily in their house in the Australian countryside. That was until one day fate struck blindly, taking the life of Peter, the father, leaving his grief-stricken wife Dawn alone with their four children. Among them, eight-year-old Simone denies this reality. She is persuaded that her father still lives in the giant fig tree growing near their house and speaks to her through its leaves. But the tree becomes more and more invasive and threatens the house. It must be felled. Of course, Simone won’t allow it.

This twisted Iranian narrative follows a mysterious couple from Tehran as they distribute large bags of money in an impoverished mountain border town. Beginning as a black comedy, the film’s mood transforms as the games played by Kaveh (director Mani Haghighi) and Leyla (Taraneh Alidoosti) become increasingly perverse, as they find inventive ways of humiliating the recipients of the cash. The immorality of the central characters is at times sickening, and their chain of lies is often as puzzling to us as they are to the townsfolk depicted onscreen. What is the relationship between the pair and why are they giving away money to the needy? Modest Reception has no easy answers nor pat resolutions – instead Haghighi takes the viewer on an intriguing ride into the dark recesses of the human spirit.

A look at how a painter and a successful actor spend their last day together before the world comes to an end.