In a world of fake castles and anthropomorphic rodents, an epic battle begins when an unemployed father’s sanity is challenged by a chance encounter with two underage girls on holiday.
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Toro (Spanish for “Bull”) is a young con man and the right hand of Romano, a powerful mob boss in Torremolinos, Málaga (Andalusia, south to Spain). After Toro decides to leave Romano to get a life free of crime, his last sting fails, resulting one of his brothers dead and he sent to jail. Five years later, Romano realizes that López, Toro’s older brother, is robbing him money from his tourism business and he orders to kidnap Diana, López’s little daughter, until this one get back the money. Without options, López visits Toro, now a touristic driver with the third grade prison close to get the parole, who only wants to be free to marry his girlfriend Estrella. When Toro accepts to help López and both meet Romano looking for a solution, Toro ends attacking Romano’s men and fleeing with Diana, trying to escape from Romano’s revenge. But Romano starts a ruthless searching for they three, meanwhile Toro counts the hours to back the prison according to the third grade…
Dev who, after spurning Paro’s love due to a misunderstanding, turns to drugs and vodka for solace. Paro moves on but Dev still is in remorse. He meets Chanda, a prostitute with problems of her own. Dev likes her but his penchant for self-destruction prevents him and Chanda from truly getting together. He also meets sleazy people like Chunni, Chanda’s pimp who drags Dev further into self-destruction to further his own needs.
A romantic comedy about Amira, an English tutor, and Juki, a hot-tempered Betawi guy. It begins when Suchin, a Thailand girl who is also Juki girlfriend, asks Amira, her English tutor, to tell Juki that they brakes up because she gets a job in America. During this time she and Juki communicate through gestures. When Amira tells Suchin message, Juki does not accept it and forces Amira to teach him English, to follow Suchin. For fear of Juki, Amira tutors him privately. At the same time, another guy, Taufan, is approaching Amira.
Lara Jean and Peter have just taken their romance from pretend to officially real when another recipient of one of her love letters enters the picture.
A former U.S. diplomat returns to service in order to save a former colleague in Beirut.
Internet songwriter Chow (Cherry Ngan) is gifted with an extraordinary retentive memory. She never forgets anything she has heard. One day, she was kidnapped by Yung (Ronald Cheng), a street punk, to a remote fish raft so desolate that an escape plan seems to be a mission impossible. In the hope to flee with the only ability she has, Chow offers to give a spiritual music therapy to the rather maniacal kidnapper. What happens next is beyond anyone’s imagination – the two who have nothing in common begin to form an intimate bond and connection through music. More than that, Chow finds immense inspirations on this “floating stage”, while discovering the incredible singing voice and vocal range in Yung – a seemingly hopeless criminal can also possess a voice as captivating as the sound of nature…
CREMASTER 2 (1999) is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney’s abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1 …
There is no “Heartbreak 101” or Graduate-level Backstabbing Courses on the syllabus, and nothing covered in a classroom can prepare you for the harsh realities of the real world.
After escaping from a sex trafficking ring, one teenage girl struggles to reconnect with herself and her family. To rescue her helpless friends, she must confront her own fears and help lead the police to her traffickers – at all costs.
