Matt, a self-absorbed young attorney, goes to visit his grandfather – an eccentric recluse who lives in the backwoods without gas, electricity, or phone – to convince him not to give away his estate as he plans to do. But in the end, it is Matt who is convinced to make some life changes. Jason London and Ed Asner star. When a woman needs someone to look after her aging father (Ed Asner), her irresponsible son isn’t her first choice. Matt (Jason London) can’t get his career, love life, or wallet in order, so how can he be expected to check in on his grandfather? But desperation leads Matt to visit his grandfather at his home in the middle of nowhere. For Matt, this barebones life takes some adjustment, but then he meets a single mother who helps him learn about the simple life.
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Cully, a two-bit hustler and the driver for a Baja drug cartel, finds himself relying on skilled-but-reluctant bounty hunter Turk, to stay out of the grasps of a merciless assassin, and vicious thugs led by a rival gang leader after Cully has stolen a money car stuffed with cash meant for his boss. The duo crosses paths with Crystal, a sultry dancer with too many secrets and a greater stake in all of this than they first realize. If Cully can convince Turk to go along with his crazy schemes, he might make it back to his estranged wife and daughter alive.
A troubled woman on the edge of divorce returns home to her younger sister after years apart. But when her sister and brother-in-law betray her trust, she embarks on a vicious crusade of revenge.
The Next Voice You Hear… (1950) is a drama film in which a voice claiming to be that of God preempts all radio programs for days all over the world. It stars James Whitmore and Nancy Davis as Joe and Mary Smith, a typical American couple. It was based on a short story of the same name by George Sumner Albee.
Lizzie Borden Took An Ax chronicles the scandal and enduring mystery surrounding Lizzie Borden, who was tried in 1892 for axing her parents to death. As the case rages on, the courtroom proceedings fuel an enormous amount of sensationalized stories and headlines in newspapers throughout the country, forever leaving Lizzie Borden’s name in infamy.
Drifter Cole Harden is accused of stealing a horse and faces hanging by self-appointed Judge Roy Bean, but Harden manages to talk his way out of it by claiming to be a friend of stage star Lillie Langtry, with whom the judge is obsessed, even though he has never met her. Tensions rise when Harden comes to the defense of a group of struggling homesteaders who Judge Bean is trying to drive away.
An embittered husband, paralyzed and in a wheelchair, buttonholes a complete stranger and begins to tell him the story of his marriage. The stranger would like to escape, but cannot. For one thing he grows fascinated by the story. For another he is mesmerized by the man’s wife, who has perfected that trick of looking a man boldly in the eye until, by looking away, he concedes sexual supremacy.
This simple romantic tragedy begins in 1957. Guy Foucher, a 20-year-old French auto mechanic, has fallen in love with 17-year-old Geneviève Emery, an employee in her widowed mother’s chic but financially embattled umbrella shop. On the evening before Guy is to leave for a two-year tour of combat in Algeria, he and Geneviève make love. She becomes pregnant and must choose between waiting for Guy’s return or accepting an offer of marriage from a wealthy diamond merchant.
Megan Carter is a reporter duped into running an untrue story on Michael Gallagher, a suspected racketeer. He has an alibi for the time his supposed crime was committed but it involves an innocent party. When she tells Carter the truth and the newspaper runs it, tragedy follows, forcing Carter to face up to the responsibilities of her job when she is confronted by Gallagher.
Elena (Kasia Smutniak) and Antonio (Francesco Arca) seem not to be made for each other. They are too different in terms of character, life choices, worldview, and the way they relate to others. They are total opposites. However, they are overwhelmed by a mutual attraction they’re trying hard to avoid; but to which they succumb to. This dramedy on relationships also gets a very credible performance from Paola Miraccione, who plays the tragic, albeit funny, character Egle.
After years of success, Zaytoven still finds himself stuck in the middle of being a great producer and a mainstream producer, fighting for the #1 spot while keeping his principles intact. When Zay and his cousin Nuke get’s confronted by a ole friends widow, Trish played by “KASH DOLL”, demanding payment from her Husbands abandoned music royalties. The cousins find themselves yet in another bind. Trish convince her brother Rock played by “JOSIAH MCCORMICK” and up coming producer idol turned rival, Ryan played by “TROUBLE” to extort Zaytoven and Co. at all cost. Tested by fans, media, friends and even family Zaytoven maneuver through the fight of his life in this twisted; made up Hollywood fantasy we call entertainment. This dramatic story unfolds as two cousins once again navigate through the industry.
A recently orphaned young Kurdish-French woman travels to Iraqi Kurdistan to find her mother’s village, likely destroyed during the Anfal genocide. On her journey she meets two American film students who are traveling to remote villages screening Charlie Chaplin films. They decide to help her search, an undertaking that brings them to the war-weary Mount Qandil, dubbed by the locals the Kurdish Bermuda Triangle, along the Iraqi-Turkish-Iranian borders.
