As a Korean-American man raised in the Louisiana bayou works hard to make a life for his family, he must confront the ghosts of his past as he discovers that he could be deported from the only country he has ever called home.

A tough gang of teenage girls are looking for love and fighting for turf on the mean streets of the city! Bad girls to the core, these impossibly outrageous high school hoodlums go where they want … and create mayhem wherever they go!

A young boy whose parents just divorced finds an unlikely friend and mentor in the misanthropic, bawdy, hedonistic, war veteran who lives next door.

NIGHT BUG (dir. by Kim Tae-Yong) Han-Jae meets gay men at a bar in Jongno District, Seoul. He first meets them through an internet site. Once they get drunk, Han-Jae steals their money. He is accompanied by Hoon and pretends he is his boyfriend. Hoon is popular, but Han-Jae ignores Hoon’s feelings for him. One day, Hoon suddenly kisses Han-Jae. ONE NIGHT (dir. by Kim Jho Gwang-Soo) Geun-Ho is almost hit by a car. At that time, Joon, who is visiting Jinju from Seoul, saves Geun-Ho. They happen to meet at a bar later that night. Geun-Ho and his friends goes to Seoul with Joon.

Two partisans, a man and a woman, try to escape a Nazi manhunt in the infernal landscape of WW2 Vojvodina.

Ambitious high school senior Samantha Hodges is a serious journalist, both for the school paper and for the yearbook, but she’s just as serious about her friends, Nate, Gillian, and Rudy, all of whom are vying with her for a full-ride local scholarship to college. Very close to her mother, Emily, who is the school’s guidance counselor, Samantha finds her reporting taking an investigative turn when two of her classmates–and contenders for the scholarship–are murdered.

As he eases into adulthood at the age of forty, Conrad Valmont, the over-educated, under-employed heir to the Valmont Hotel fortune, is cut off from his allowance following his parents abrupt divorce and tossed out into the unforgiving streets of the Upper West Side. Luckily, he is taken in by his old friend Dylan, and returns the favor by immediately falling for Dylan’s girlfriend Beatrice. As Conrad attempts to woo Beatrice while keeping both their relationship and his bank balance secret, Dylan tries to set him up with Jocelyn. Ever committed to the charade that he eventually finds difficult to maintain, Conrad quickly realizes his charm can only extend so far into debt. Now deep into an extensional reflection, will it take losing everything to make Conrad realize what he can truly become?

Adapted freely from the classic novella ‘The Mysterious Stranger’ by Mark Twain; Day of the Stranger revives the tradition of the acid western of the 1970’s. Caine Farrowood is a bounty hunter who works under the control of ruthless kingpin Loomweather. One day a bounty retrieval goes awry and Caine is left for dead. Just when he thinks his life is over he mysteriously awakens back home to the comforts of his wife Christina. Baffled and confused by how he got home Caine insists on finding answers, but before long he is enlisted in the retrieval of another bounty. This one is huge and may cost Caine not his life, but his sanity when he finds himself pitted against somebody who may very well be the fallen angel himself.

Aimlessly whiling away their days in the concrete environs of their dead-end suburbia, Vinz, Hubert, and Said — a Jew, African, and an Arab — give human faces to France’s immigrant populations, their bristling resentment at their social marginalization slowly simmering until it reaches a climactic boiling point. La Haine means Hate.

Haley is a wealthy heiress known for her acts of kindness. Haley meets hopeless romantic Claud, and she keeps her wealthy family a secret. When Claud pitches an ad campaign to Haley’s mom and Haley’s secrets are revealed, things get…complicated.

The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors’ prejudices and preconceptions about the trial, the accused, and each other.

Wanting to leave their dystopian world behind for a faraway paradise, three outlaws plot a money heist — and draw the attention of a vicious killer.