A love story set in Manhattan, where a florist who abides by a strict five-date-limit with any man finds herself wanting more with the new restaurateur in town.

Two bumbling hustlers in the 1920s attempt to gain the fortune of an heiress. Nothing will stop them . Not even murder.

When their family bakery may have to close its doors right before Christmas, rival sisters Kim and Gina must team up in a national baking competition to win the grand prize. Thrown into a world of fierce competitors and a ticking clock, it will take a Christmas miracle to save the bakery, though they may discover a prize much larger than they had hoped for.

When Quasi defies the evil Frollo and ventures out to the Festival of Fools, the cruel crowd jeers him. Rescued by fellow outcast the gypsy Esmeralda, Quasi soon finds himself battling to save the people and the city he loves.

A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy

Telly Paretta is a grieving mother struggling to cope with the loss of her 8-year-old son. She is stunned when her psychiatrist reveals that she has created eight years of memories about a son she never had. But when she meets a man who has had a similar experience, Telly embarks on a search to prove her son’s existence, and her sanity.

A cat burglar is forced to take a bickering, dysfunctional family hostage on Christmas Eve.

Irresponsible party girl Maggie (Cameron Diaz) is kicked out of her father’s (Ken Howard) and stepmother’s (Candice Azzara) home, where she lives for free, and is taken in by her hard-working sister, Philadelphia lawyer Rose (Toni Collette). After Maggie’s disruptive ways ruin her sister’s love life, Rose turns her out as well. But when their grandmother, who they never knew existed, comes into their lives, the sisters face some complicated truths about themselves and their family.

The neighbors of a frontier family turn on them when it is suspected that their adopted daughter was stolen from the local Kiawa tribe.

Four aspiring musical actresses – Carol, Trixie, Polly and Fay – are struggling to make a living on Broadway in the midst of the Great Depression. When producer Barney Hopkins has the idea of creating a show about the Depression, the girls team up with newly-discovered songwriter Brad Roberts to make it happen. But Brad is not who he seems.

When two brothers organize the robbery of their parents’ jewelry store, the job goes horribly wrong, triggering a series of events that send them and their family hurtling towards a shattering climax.

Summer 1968. 14-year-old Wolfgang is deported from his family in the secluded Church Welfare Institution sanctuary. One thing is clear for Wolfgang: His yearning for freedom, he will not soon buried in the bog.