The story of how a tiny, broke Silicon Valley startup slew giants of the movie rental world, warded off Amazon and forced movie making and distribution into the digital age.

An inside look into the world of taxidermy and the passionate artists from all over the world who work on the animals.

An eye-opening documentary that asks the question: Are we going to let climate change destroy civilization, or will we act on technologies that can reverse it? Featuring never-before-seen solutions on the many ways we can reduce carbon in the atmosphere thus paving the way for temperatures to go down, saving civilization.

Connor McDavid: Whatever it Takes follows the most physically and emotionally challenging offseason of Connor McDavid’s career. This documentary is the remarkable comeback story of one of the NHL’s best players after what could have been a career ending or altering injury. A world-class medical team led by Mark Lindsay, supervised McDavid’s gruelling rehabilitation program which combined advanced sport science and imaging techniques with Connor’s sheer will to overcome, allowing him to return to the Edmonton Oilers lineup for the 2019-20 home opener. McDavid not only came back, but is faster and stronger than ever and having the best season of his young career. McDavid enters the 2020 All-Star break leading the NHL in scoring, and has his Edmonton Oilers in the hunt for 1st Place in the Pacific Division.

A filmed version of David Byrne’s Broadway show, a unifying musical celebration that inspires audiences to connect to each other and to the global community.

Pigeons do somersaults in mid-flight, and there is a tight-knit community of pigeon breeders and trainers in South Central L.A. devoted to the phenomenon as a competitive sport.

Culled from more than 100 hours of new and archival interviews with former Manson cult members, this two-hour special goes inside Spahn’s Ranch, where the Manson cult lived, to offer an intimate and terrifying look into America’s most murderous group.

A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we’re watching the two of them in.

In the shady campgrounds of Yosemite valley, climbers carved out a counterculture lifestyle of dumpster-diving and wild parties that clashed with the conservative values of the National Park Service. And up on the walls, generation after generation has pushed the limits of climbing, vying amongst each other for supremacy on Yosemite’s cliffs. “Valley Uprising” is the riveting, unforgettable tale of this bold rock climbing tradition in Yosemite National Park: half a century of struggle against the laws of gravity — and the laws of the land.

A cinematic and musical odyssey that explores the remarkable relationship between humans and rivers. Throughout history, rivers have shaped our landscapes and our journeys; flowed through our cultures and dreams. RIVER takes its audience on a journey through space and time; spanning six continents, and drawing on extraordinary contemporary cinematography, including satellite filming, the film shows rivers on scales and from perspectives never seen before. Its union of image, music and sparse, the poetic script will create a film that is both dream-like and powerful, honouring the wildness of rivers but also recognizes their vulnerability.

THE S FROM HELL is a short documentary-cum-horror film about the scariest corporate symbol in history – The 1964 Screen Gems logo, aka ‘The S From Hell.’ Built around interviews with survivors still traumatized from their childhood exposure to the logo after shows like Bewitched or The Monkees, the film brings their stories to life with animation, found footage, and dramatic reenactments.

‘Family Instinct’ is a film about incest – an illegal act, social taboo and a violation of religious norms. Zanda is a 28-year-old woman, worn out by hard work. Surrounded by poverty and despair, she is trying to survive with her two children in a god-forsaken Latvian village. Her hardships can be traced back to living in a relationship with her brother Valdis. When Valdis is put in jail, the local community forces her to make a difficult choice: to stay with him or with her children. Despite her ill fortune, she manages to express her love for the children, still hoping to save her family. The film offers a tragicomic but highly authentic insight into the bleak reality of Latvian countryside today.