Emi, a school teacher, finds her career and reputation under threat after a personal sex tape is leaked on the Internet. Forced to meet the parents demanding her dismissal, Emi refuses to surrender to their pressure. Radu Jude (Aferim!) delivers an incendiary mix of unconventional form, irreverent humor and scathing commentary on hypocrisy and prejudice in our societies.
ZG80 is a prequel of Metastaze. The movie brings back its characters to prewar Yugoslavia where they, as part of Bad Blue Boys, go on a football match in Belgrade to see Dinamo play against Crvena Zvezda. They encounter guest fans, their arch rivals Delije, in a series of events that lead to football fans war on the streets of Belgrade.
In the cold west, Motel Acacia is tasked with exterminating immigrants by the government through a BED, haunted with the spirit of a Filipino tree demon, that eats men and impregnates women. A young Filipino man, JC, is groomed by his tyrannical caucasian Father to take over the business.
The recently divorced father of a nine-year-old, furious his daughter can’t spend her birthday with him, bursts into her classroom with a birthday cake and a rifle. A hostage crisis ensues, and the mayor of the town in which the events take place will try to use the situation to gain advantage ahead of the elections, stopping at nothing. The son of a young policeman is in the same class, and before the events unfold, he’ll have to answer a question as well.
An eye-opening documentary that asks the question: Are we going to let climate change destroy civilization, or will we act on technologies that can reverse it? Featuring never-before-seen solutions on the many ways we can reduce carbon in the atmosphere thus paving the way for temperatures to go down, saving civilization.
It’s 1992. Young Dina lives in a remote mountain village where life is strictly governed by centuries of tradition. Dina’s grandfather has promised her to David, who is returning from the war. But with him comes a comrade-in-arms, the handsome Gegi, and Dina falls in love. Is it possible to defy the firmly established order?
Six men, one woman (and her brother) come together with one goal – to make the play. It would be probably another common story that this theater group is composed of anti-heroes who float lost in time and space, in a town where it seems that the sun sets in the east. Led by Sasha, a director who has recently returned to his hometown, this group of socially neadaptiranih amateurs starting the fight to their demons and the prejudices that surround them in the society. For dramaturgical template selection western and riding on stereotypes of the genre of the struggle between good and evil, the conflict between civilization and wilderness, the protagonists develop their life stories inevitably influencing and changing each other. Although, as time passes, the show looks increasingly like a mission impossible, almost all of its stakeholders is increasingly seen as a metaphor for their fate and get caught for it as the opportunity of a lifetime .
Young Koko has just moved with his parents from his idyllic countryside home to a big city. There, with the help of his new friends and a neighbour he investigates the mysterious case of a dead old man who used to live in the flat he has just moved into. Koko and the Ghosts is a family film based on a popular Croatian series of young-adult novels written by Ivan Kušan.
Lana (17) is a girl from an average Zagreb family. She‘s getting ready to spend the night with her boyfriend Igor (25). On their way to the concert they decide to make love in a taxi owned by Igor‘s friend. This should‘ve been Lana‘s first time. Things went wrong when their intimate encounter got interrupted by the noises from another taxi. There was a robbery and attempted murder going on. Lana wanted to stop their love game, but Igor has forced her to continue. Lana ran away from him and met Irena (17) in a nightclub, a troubled girl who‘s been spending the night in search for drugs. A series of circumstances join Lana and Irena together while they wander the city.
Sonja, a city girl from Zagreb, a vegetarian and a hardcore animal-rights activist, strongly opposes bullfighting in Dalmatinska zagora (Dalmatian Hinterland). People find this irritating and they conclude that no matter how passionately Sonja loves animals, she would never dare to stand in front of a bull. Bets are raised and Sonja faces a challenge in the form of Ante, known far and wide for his powers of persuasion.
Iva and Maria, a young lesbian pair, rent a favorable, nice dwelling in a less good area of Zagreb, Croatia. But unfortunately, included in the rent are the neighbors, the neighbors from hell. The curious landlady, foreigners flogging nationalists, an old man, who live with his dead wife and a man, who beat his wife regularly, are just one part of this neighbourhood. When one of the neighbors falls in love with Iva, the situation escalates – with the result of three dead people at the end.
A fairy tale set in the bucolic countryside of Central Europe at the turn of the 20th century. Anka, an orphan girl, bravely sets off in the pursuit of a home, facing the hardships of life, and ultimately finds her place with the help of a magical world and its mysterious creatures.
Cain is a military scientist, bitterly disappointed in human race. His conclusion is that the mankind failed to create a world worth living in. Only a small minority of privileged people live in prosperity, while the rest are spending their lives in pain and hopeless struggle to survive. One day, Cain made a decision to wipe out the entire human race from planet Earth, by activating the weapons of mass destruction. Time has passed, and Cain is coming out of the shelter to find the place where he will die. The place where the last man will die. Suddenly, he’s starting to receive a mysterious signal that indicates someone else’s presence. So, he goes in search to eliminate the survivor and complete what he has started…
A razor sharp comedy all about relationships and red tape. Kreso is at a loose end. A fully qualified biologist, he’s about to hit middle age, disillusioned, out of work and stuck in a marriage that should probably never have started. At least his son still looks up to him. Meanwhile, the country’s cash-strapped government is busily looking for unique ways to save money, and now, over 20 years after the 1990’s war, sets its sights on the widows of fallen soldiers. Anyone unmarried but in a new relationship will no longer be allowed a military pension. Enforcing such an unpopular measure requires a new department: The Ministry of Love, whose purpose will be to gather information on any widows breaking the new law. With nothing to lose, Kreso agrees to be put forward by his pushy father in law. The only problem is, together with his eccentric partner, Sikic, he’s completely the wrong man for the job.
Back from a professional trip to Paris, a neurologist at the pinnacle of his career has to pick up his wife so that they can attend a family meal to commemorate his father, who died a year before. At his mother’s flat, the guests are waiting for the priest to arrive while arguing about all kinds of things connected and unconnected with the world’s events and wars.
Three different love stories, set in three consecutive decades, in two neighbouring Balkan villages burdened with a long history of inter-ethnic hatred: this is a film about the dangers – and the enduring strength – of forbidden love.
Full Contact is a contemporary tale of a man trying to find new purpose in life after accidentally bombing a school through a remotely operated drone plane. Ivan, operating the plane from a far away air force base, has never been to the foreign countries of his attacks, nor has he ever touched the plane he uses to kill. Modern warfare keeps him safe and disconnected from his prey. However, after this incident Ivan’s disconnectedness starts to apply to everything in his life. He is overwhelmed by feelings of guilt that he is unable to process.
When a renegade Russian general sends a nuclear bomb hurtling toward the Middle East aboard a hijacked train, special agents are dispatched to disarm the deadly device. Ten tons of steel and one ounce of hot plutonium are now riding roughshod through Europe. With time running out, the agents launch a desperate, bullet-packed assault on a deadly moving target piloted by a cold-blooded mercenary.