Peter Weir’s follow-up to Master & Commander (2003) is the stark & brilliant The Way Back, which takes on the theme of man’s struggle for freedom. At the dawn of WWII, several men escape from a Russian gulag. The film details their perilous & uncertain journey to freedom, as they cross deserts, mountains, & several nations.

Separation concerns the inner life of a woman during a period of breakdown – marital, and possibly mental. Her past and (possible?) future are revealed through a fragmented but brilliantly achieved and often humorous narrative, in which dreams and desires are as real as the ‘swinging’ London (complete with Procul Harum music and Mark Boyle light show) of the film’s setting.

A Syrian radio DJ documents the experiences of herself and her friends as their dreams of overthrowing their elected government give way to the grim realities of sectarian death squads and extremism.

In an apartment a single and psychotic mother locks in herself and her daughter. Here, the demons are in control. Ti can hear her mother talking to the demons, and she sees her changing and confined face. But the demons that the mother speaks with Ti can neither hear nor see. Outwards, Ti is forced to keep a straight face to protect her mother, while she herself is going under.

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A young woman joins the military to be part of something bigger than herself and her small-town roots. Instead, she ends up as a new guard at Guantanamo Bay, where her mission is far from black and white. Surrounded by hostile jihadists and aggressive squadmates, she strikes up an unusual friendship with one of the detainees.

After a long interstellar search, man has found a second home: New Earth. After the scientists, the governments, the military and the wealthy, the hopeless masses of Earth too want their chance at a new life on this emerging world of wonder and opportunity. ‘Taking the Leap’ in whatever way, lawfully or not, has become the dream of millions. In order to deal with illegal stowaways and human trafficking on a Biblical scale, specialized police cadres have been activated. In 22nd century London, this is the Inter-Planetary Migration Administration. Confrontations between IPMA units and the smuggling rings are merciless, if not most for those caught in the middle. Jacob Reiss is a conscientious but disillusioned IPMA detective, a veteran with 15 years of service. An encounter with a Cartel prostitute presents him with an opportunity he had given up on, a chance to save himself from a crushing secret in his past, as well as an empty future on Earth.

Fearful that their star witness might be murdered, two attorneys hire a protector to bring him from Los Angeles to New York. Jesse Crowder (Fred Williamson) is a no-nonsense tough guy. He buddies up with the witness, an accountant, and they hit the road. Outwitting their foes means taking all manner of conveyance, including automobile, train, and airplane.

Aging actor Lester Rosenthal (Gabriel Byrne), who has lost his way with his career, with his family, and with his friends (Nathan Lane, Frances Conroy, & Boyd Gaines) finds out that the way out is through.

Doug MacRay is a longtime thief, who, smarter than the rest of his crew, is looking for his chance to exit the game. When a bank job leads to the group kidnapping an attractive branch manager, he takes on the role of monitoring her – but their burgeoning relationship threatens to unveil the identities of Doug and his crew to the FBI Agent who is on their case.

Manny, Joel and Jonah tear their way through childhood and push against the volatile love of their parents. As Manny and Joel grow into versions of their father and Ma dreams of escape, Jonah, the youngest, embraces an imagined world all his own.

American car designer Carroll Shelby and the British-born driver Ken Miles work together to battle corporate interference, the laws of physics, and their own personal demons to build a revolutionary race car for Ford Motor Company and take on the dominating race cars of Enzo Ferrari at the 24 Hours of Le Mans in France in 1966.