Korean director Kang Yi-kwan evokes such troubled-youth classics as Rebel Without a Cause, The 400 Blows and L’enfance nue in this beautifully rendered character study of a fifteen-year-old boy struggling to stay on the straight and narrow.
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While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O’Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes.
A stand-up comedian confesses to a murder on-stage at an open mic night to a shocked audience – his crime the result of a deadly triangle formed between his older sister, just released from prison after a 20-year stay for the murder of their parents, the loving bond he now shares with a caring surrogate family, and the ultimate choice he must make between them – his dysfunctional blood ties with his own sister, or his picturesque view of the ideal family.
Bari, a city caught in the relentless economic crisis. Ivo is an agronomist, but the lack of opportunities pushes him to accept a job in the fertile region of Banat in Romania. Clara has just ended a relationship and is about to lose her job at the Bari harbor. Ivo and Clara meet by chance and seem to immediately understand each other. They spend only one night together before Ivo’s departure, but that is enough to create a bond and wanting to meet again. When Clara visits him in Romania, they fall in love. But is exile their only way to happiness?
A couple on the brink of divorce decides to keep their marital woes a secret as they help their daughter plan her wedding. As the two work together on the happy occasion, they soon discover that their own marriage might just be worth saving.
A look at the making of the film Troll 2 (1990) and its journey from being crowned the “worst film of all time” to a cherished cult classic.
The Football Factory is more than just a study of the English obsession with football violence, it’s about men looking for armies to join, wars to fight and places to belong. A forgotten culture of Anglo Saxon males fed up with being told they’re not good enough and using their fists as a drug they describe as being more potent than sex and drugs put together.
‘The Midwife’ (fin.’Kätilö’) is a romance-drama set during WWII in Finland’s Lapland province, a major European battle ground of the war. Based on Katja Kettu’s bestselling novel, ‘The Midwife’ turns on the love affair between a Lapp midwife and a Nazi SS officer set against the backdrop of the Lapland War, which opposed Finnish and Germany armies in 1944-45. The themes in the story are international. It’s about conquering love and war, and class boundaries that are broken down.
Not being able to stand his drunken father and stepmother any longer, Tsog runs away from home and hides on the roof of an apartment building in the city. One day, he is mesmerized by Anu, a beautiful woman who lives on the top floor of the apartment building across from him. He buys a remote control to start watching her TV, and it makes the physical space between Tsog and Anu disappear. Well, at least it does in Tsog’s imagination. He comes to think about what the world would be like if he could change it with the touch of a button. The difference between ideals and reality is also seen through Tsog and Anu’s dream of flying and fear of heights. And Anu’s belief that she could overcome her fear if only she had someone to fly with runs an interesting parallel with Tsog’s loneliness from being estranged from his family.
“The Babe” chronicles Ruth’s phenomenal story–from his hard knock beginnings at a Baltimore orphanage, to his meteoric rise to baseball superstardom and his poignant retirement from the game. His amazing career included seven American League pennants, four World Series championships, two tempestuous marriages and a wild lifestyle that earned him numerous suspensions.
