A college grad takes a clerical job working for the literary agent of the renowned, reclusive writer J.D. Salinger.
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Mwas, a young aspiring actor from upcountry Kenya dreams of becoming an accomplished actor one day, and in pursuit of this, he makes his way to Nairobi, the city of opportunity. He quickly understands why Nairobi is nicknamed Nairrobery as he is bereaved of all his money and belongings and left alone in a city where he doesn’t know a soul. Luck or the lack of it brings Mwas face to face with the city’s criminals and forms a friendship with a small time crook who takes him in. He is quickly drawn into a world of crime as he struggles to pursue his dream of becoming an actor. Keeping the two worlds separate proves to be a challenge for Mwas as he steps into this unknown world called Nairobi.
Gemma and Will are shattered when their son dies in an accident. Gemma blames herself and starts to have panic attacks that affect her eyesight – and the audience’s point of view. Will, tormented, believes he is hearing his son’s voice calling out to him. To escape their grief, Gemma suggests they take up Paul’s offer to stay at his Lake District country getaway. Gemma’s, helped by ex-pharmacist Paul, tries to stop her panic attacks with medication. Will, unable to hear to his son in his bedroom back home, antagonizes Paul and suddenly goes home. Gemma is now reliant on Paul who appears to be developing genuine feelings for her welfare. Love, grief, and the frailty of the human condition are all brought to the fore as Gemma Will and Paul are caught up in a descent into violence, both psychological and ultimately physical.
Just as Fritz Lang’s Metropolis (1927) is testimony to German silent film art, The Story of the Kelly Gang (1906) symbolises both the birth of the Australian film industry and the emergence of an Australian identity. Even more significantly it heralds the emergence of the feature film format. The Story of the Kelly Gang, directed by Charles Tait in 1906, is the first full-length narrative feature film produced anywhere in the world. Only fragments of the original production of more than one hour are known to exist and are preserved at the National Film and Sound Archive, Canberra. (unesco.org)
John Wayne stars as U.S. Air Force aviator Jim Shannon, who’s tasked with escorting a Soviet pilot (Janet Leigh) claiming — at the height of the Cold War — that she wants to defect. After falling in love with and wedding the fetching flyer, Shannon learns from his superiors that she’s a spy on a mission to extract military secrets. To save his new wife from prison and deportation, Shannon devises a risky plan in this 1957 drama.
Tilo, the titular “Mistresses of Spices” is a shopkeeper and an immigrant from India who helps customers satisfy their needs and desires with spices. Her life changes when she falls in love with an American man.
A teenage girl with self-esteem issues finds confidence in the most unlikely way, by spending her summer battling vampires that prey on New Orleans’ disenfranchised with the help of her best friend, the boy she’s always pined for, and a peculiar rich girl.
The tale of a ten-year-old boy in a Catholic school who, following the death of his beloved grandfather, embarks on a quest to discover the meaning of life.
A gang of women wreak vengeance upon the society that failed them.
Three friends in their mid-20s struggle to navigate their professional and personal lives, colliding head on with the messy, hilarious and dreadful growing pangs of adulthood.
A woman at rock bottom must find her way across Los Angeles in order to crash her ex-boyfriend’s engagement party.
Angie, a young Brazilian artist, abandons her old life and embarks on a journey around the country. Running from her past, and searching for her foundation in life, Angie finds not only herself but love in its many forms.
