From an exciting Indian wedding comes a relationship from two different times not only showing the modern but also the traditional. Different characters and stories interact with each other in director Mira Nair film where she used an Indian-American production to illustrate these themes modern day Indians are very familiar with.

The story of Brian Sweeney Fitzgerald, an extremely determined man who intends to build an opera house in the middle of a jungle.

Charlie Anderson, a farmer in Shenandoah, Virginia, finds himself and his family in the middle of the Civil War he wants nothing to do with. When his youngest boy is taken prisoner by the North the Civil War is forced upon him.

A young woman finds a path to internet stardom when she starts making videos with a charismatic stranger.

In the near future, drive-in theatres are turned into concentration camps for the undesirable and unemployed. The prisoners don’t really care to escape because they are fed and they have a place to live which is, in most cases, probably better than the outside. Crabs and his girlfriend Carmen are put into the camp and all Crabs wants to do is escape.

The film is a coming-of-age story of a young boy named Apu, and life in his small Indian village in the early years of the 20th century. Apu is born to a poor Brahmin family in Bengal. His father Harihar is a priest who dreams of becoming a successful poet and a playwright; he does not earn enough, but the mother Sarbajaya keeps the family going. Because of their limited resources, Sarbajaya resents having to share her home with Harihar’s elderly cousin: the old and helpless cripple Indir. Apu’s sister Durga is always getting into trouble for stealing guavas from the neighbour’s orchards for Indir. She cares for Apu like a good older sister but loves to affectionately tease him. Together, they make do with what they have and enjoy the simple joys of life.

A talented and successful actor retires at a young age due to a perceived mental illness. Now living in a small town with his deranged sister and his best friend, we watch as their Maladies intertwine.

A dramedy about relationships and fidelity, or the lack thereof. A group of old high school friends, now in their late thirties, get together for the weekend to celebrate the 4th of July, for better or for worse.

Events of the film take place in both hemispheres. Presidents of countries, bosses of drug cartels, special agents and powerful secret service agencies from all around the world are the first hand participants of its events. The film begins with an account of a shocking yet quite ordinary skirmish – an average drug kin pin is beating one of his assistants with a golf club with a purpose of educating him, because the assistant’s cell phone was quite unlawfully confiscated by an overly diligent secret service agent. The mutilated gangster understands the incommensurability of his guilt and the level of his fault, and becomes the first character who asks the question: What do we know about the world we live in?

The strangest thing about this story is that it’s true. In 1952, Argentina’s beloved First Lady, Eva Perón, died of cancer at the age of thirty-three. A renowned embalmer was commissioned by the grieving Juan Perón to preserve her body for display, and Argentines flocked to be near “Evita.” Three years later, when his government was overthrown by a military coup, Perón fled the country before he could make arrangements for the transportation of his wife’s body. The military junta now in control kidnapped the corpse; so afraid were they of Eva’s symbolic power that they even made it illegal to utter her name. Thus began the two-decade journey of Eva’s body throughout Europe and eventually back to Argentina.

The movie tells the story of Laerte (Lázaro Ramos), a talented violinist who after failing to be admitted into the OSESP Orchestra is forced to give music classes to teenagers in a public school at Heliopolis. His path is full of difficulties, but the transforming power of music and the friendship arising between the teacher and the students open the door into a new world

A journalist tries to balance the duties of marriage and motherhood while researching a piece on college women who work as prostitutes to pay their tuition.