“Something hit us…the crew is dead…help us, please, please help us!” With these terrifying words, 22 of Hollywood’s greatest stars find themselves aboard a pilotless jumbo jet headed on a collision course with destruction in the nerve chilling sequel to the greatest disaster movie ever made.

In 1901, Marcela Gracia Ibeas took on the identity of Mario Sánchez to marry her lover of fifteen years, Elisa Sanchez Loriga.

Jackie Chan reprises his role as Chan Ka-Kui (also known in some versions as Jackie) yet again as a Hong Kong cop who works with Interpol to track down and arrest an illegal weapons dealer. Later Jackie realizes that things are not as simple as they appear and soon find himself a pawn of an organisation posing as Russian intelligence.

Hugo is an orphan boy living in the walls of a train station in 1930s Paris. He learned to fix clocks and other gadgets from his father and uncle which he puts to use keeping the train station clocks running. The only thing that he has left that connects him to his dead father is an automaton (mechanical man) that doesn’t work without a special key which Hugo needs to find to unlock the secret he believes it contains. On his adventures, he meets with a shopkeeper, George Melies, who works in the train station and his adventure-seeking god-daughter. Hugo finds that they have a surprising connection to his father and the automaton, and he discovers it unlocks some memories the old man has buried inside regarding his past.

A small film with a big heart, SECOND HAND WEDDING is a bittersweet dramatic comedy set in the present, in a time when trademe and e-bay threaten the primeval urge for a firsthand crack at the second-hand. Jill keeps the dream alive until she is forced to confront the habits of a lifetime and concede that no bargain is worth her daughter’s happiness. Father of the bride, Brian, quips that Cheryl’s upcoming wedding will be the first time anyone in the Rose family has given something away – and that’s the crux of it.

Hoshiarpur based Gopi’s dying father asks him to locate Kishen and hand-over a piece of land to him, and subsequently passes away. Gopi heads out to Goa and this is where he will be taken for a ride not only by Kishen, but also by Kishen’s look-alike hoodlum brother, Hari; and get involved, along with a group of assorted characters, in the location of diamonds that were stolen by three women.

The theme of the film is tribute to the single screen cinema halls that are rapidly becoming rare in India. Pranabendu Das is a retired film exhibitor from a small-town in West Bengal. He owns a movie theatre ‘Kamalini’ named after his separated wife. With the advancement of technology and the arrival of the digital medium, this man was compelled to let go of his theatre which projected films only on celluloid. Prakash is unperturbed by his father, Pranab’s condition. He is an opportunist, who would never give morality a chance while making himself an established businessman. He sells pirated DVDs of feature films in the town. This is a father-son relationship tale weaved through the beautiful backdrop of cinema. Pranab has always maintained himself as a true Cinemawala, whereas, Prakash is also spreading films among the people, but in a way not so acceptable to his father.

Whether you love him or hate him, there is no question that George W. Bush is one of the most controversial public figures in recent memory. W takes viewers through Bush’s eventful life — his struggles and triumphs, how he found both his wife and his faith, and of course the critical days leading up to Bush’s decision to invade Iraq.

While running a travel agency in Macau, Ji-yeon is ripped off by her business partner. One day, the attractive and benevolent Sung-yeol gives her an irresistible offer: $5,000 monthly salary to live on a luxurious yacht and be the personal care aide of the owner of Cenado, a prominent shipping and casino operator company. Without another option to fall back on, she complies and nurses the ailing man, who is impossible to deal with. Ji-yeon slowly gains the attention of both Sung-yeol and the magnate, and wavers between an opportunity that will secure her future and love. As tension rises among these figures on the yacht, no one can predict its outcome.

A man takes a job at an asylum with hopes of freeing his imprisoned wife.

Not Waving But Drowning is a chronological look at growing up, formed from two different stories. The two sets of friends represent the American dilemma between what you have known and what you hope to know; the tear between longing for the past and the desire to explore.